Showing posts with label David O. Russell. Show all posts
Showing posts with label David O. Russell. Show all posts

Monday, December 2, 2013

American Hustle is an Entertaining Story about ABSCAM and the Con Game with a Great Ensemble

American Hustle (3 1/2 out of 5 Stars)
Directed by: David O. Russell (The Fighter, Silver Linings Playbook)
Written by: Eric Singer (The International), David O. Russell (Silver Linings Playbook)
Starring Christian Bale, Amy Adams, Bradley Cooper, Jeremy Renner, and Jennifer Lawrence



American Hustle starts out with a warning saying "These events happened" but maybe not exactly this way.  In the late 1970s and early 1980s the FBI ran stings they code named ABSCAM, short for Abdul Scam, the name of their front company.  This film takes these real life events, throws in their con men and women, and the game begins.

Hustle centers around Irving Rosenfield (Bale) and Edith or well Sydney Prosser (Adams) both of whom never wanted to be the victim in their lives.  Irving grew up watching his old man get pushed around with his window business, but as a young kid began the con breaking other people's windows so his dad would succeed.  Sydney, or Edith charmed her way into a job at Cosmo, and never looked back.  When the two meet at a party they fall madly in love with one another, and soon begin to run cons on people through their fake business.

While working one of their latest victims Richie DiMaso (Cooper) the two find out that he is an FBI agent, and instead of going to jail they get brought into this ABSCAM business with the FBI trying to catch other people in the con game.  What happens next is to fun to spoil, but needless to say this ensemble works so well together its hard to not smile as each aspect of the story unfolds.

Over the years David O. Russell has been a master at creating films centered around great ensembles from 1996's Flirting with Disaster all the way to this film.  Within this film their an ease to his direction, something more whimsical like his early work.  Within his last two films there was always something missing, the ensemble worked, but his direction did not feel cohesive enough or felt manipulative.  In this film O. Russell who directed and wrote the script with Eric Singer has created a much more balanced experienced that is more whimsical, and entertaining.  

The most successful thing about the film/script is defined by Bale's character himself, who defines morality as neither black and white, but rather grey.  Within this film O. Russell and Singer create more dense characters who live within the grey.  None of these characters are heroic nor do they fit within the cookie cutter modules O. Russell defined within his last two pictures, hence creating a much more rich ensemble piece.

Bale's performance was the strongest in the film, every time I watch him act I lose myself in his performances this has happened in almost every role he has taken on from The Machinist to his other film with O. Russell The Fighter.  You have to wonder if you are always being played by Irving, or where the vulnerability lies, but Bale is so convincing you can't see through the character. 

The rest of the ensemble is good, Cooper is hilarious, playing to his strength of comedic timing as an actor.  Adams is both striking to look at, but is better than I expected she plays the game as well as Irving, and there is so much strength within her performance.  The one person who did not fit into the ensemble as well was Jennifer Lawrence.  Critics have been singing her praises within this role, and she is funny, and does not do a bad job, but there is something lacking within this performance.  First and formost Lawrence's spotty New York accent is distracting; she could not pull it off.  Lawrence has always exuded maturity within her roles like Winter's Bone, and Silver Linings Playbook, but in this film she was playing a an immature person trying to be mature, and it did not work.

At the end of the day American Hustle is an entertaining film, with a great ensemble, solid direction, and great costume design.   

Sunday, November 17, 2013

A Tribute to Great Film: Flirting with Disaster (1996)

Long before  director David O. Russell was clamoring for Oscar; he was making some of the smartest,
 and most original films.  Flirting with Disaster (1996) was not O. Russell's first feature film that was Spanking the Monkey (1994).  Both films are hilarious, but Disaster and his other film Three Kings (1999) are his best, ironically neither of these films got any attention from the Academy, and his lesser films The Fighter (2010), and Silver Linings Playbook (2012) won Oscars.

Moving away from the Oscar let's focus on Flirting with Disaster, which is such a great ensemble piece.  The film stars Ben Stiller as Mel Coplin, Mel was adopted and he decides to look for his parents after his son is born.  Mel uses an adoption agent named Tina Kalb played Tea Leoni.  Once Tina locates his birth parent, she Mel and Mel's wife Nancy Coplin played by Patricia Arquette head out on a dysfunctional road trip to meet/find Mel's birth family.

The premise seems pedestrian, and typical, but David O. Russell is a master of quirk in both his scripts, and his direction.  All of O. Russell's early work ranging even up up until 2004's I Heart Huckabees held on to this magnanimous quality.  O. Russell built a great dark humor within this film, and it never tries too hard to play with your emotions.  Flirting with Disaster is just plain hilarious, twisted, and all around one of the most underrated films of the 90s, and all time.  This film is the first glimpse into the genius of David O. Russell, and I hope American Hustle brings back that genius.

Enough swiping at O. Russell's grasps for Oscar; the man knows how to direct a great ensemble.  Ben Stiller is great in one of his first roles, as that hapless guy just trying to do right.  Patricia Arquette is also quite good as his wife who just wants her husband to pay attention to her needs, the jokes about her giving him a blow job, kill me.  While Stiller and Arquette are hilarious, my favorite lead in the film is Tea Leoni, her neurosis and constant mess ups with Mel's parentage are some of the funniest mometns in the film.

This film could also not exist without Mel's adopted parents, played so well and with perfect guilt by Mart Tyler Moore in a more like her Ordinary People character with humor, and George Segal a master of dark humor.  On the journey to finding his birth parents Mel's interactions become funnier by the moment, ranging from this southern woman living in San Diego played by the great character actress Celia Weston to his actual crazy LSD loving parents played by Lily Tomlin and Alan Alda.  On the road to his parents he meets two federal officers, the scene stealers of the film Richard Jenkins and young josh Brolin.  They are both a team at work and in the sheets.  Each of these actors plays their part so brilliantly, forming one of the best ensembles, but favorite joke is when they keep making Richard Jenkins character switch seats/cars or anything because everyone finds him annoying, priceless.

O. Russell knocked this film out of the park, and this is one of my new favorite comedies, the writing the acting are all so sharp, and this is the beginning of the career of a man who would direct great character studies, win our hearts, and make you laugh a lot.  Flirting with Disaster one hilarious film, and a classic.

Monday, February 18, 2013

Academy Award Week (2013): Best Director (No Your Pick Can't be Ben Affleck)

This year one of the most interesting, if not the most interesting race is Best Director.  Over the years at the Academy Awards Best Picture and Best Director often match up.  Over the last twenty years (from 1992-2012) Best Picture and Best Director have matched up 16 times, which is an impressive statistic.  This year Argo's name is chiseled on the statue already, and unless if you have been living under a rock you know Ben Affleck was snubbed.  Affleck has won this award at the BFCA, Golden Globes, DGA, and BAFTA.  Without Affleck nominated this makes this race a lot more interesting than I can remember.

While I am not going to go on a rant about sexism within the film industry I am a bit baffled at why more people over cited Affleck's snub instead of Bigelow's snub.  I do believe that this will go down as one of the biggest mistakes in Oscar history.

How do you define great direction, and who was "snubbed?"  One way at looking at great direction is by using auteur theory.  Auteur theory "holds that a director's film reflects the director's personal creative vision, as if they were the primary "auteur" (the French word for "author"). In spite of—and sometimes even because of—the production of the film as part of an industrial process, the auteur's creative voice is distinct enough to shine through all kinds of studio interference and through the collective process."  While this perspective is a bit more old school and looks at film as a one man show, many would attribute this vision to greats like Orson Welles, and Alfred Hitchcock.  These men controlled the vision for their films.

If you look at this year's director race many would describe David O. Russell's direction using auteur theory.  O. Russell's Silver Linings Playbook is a passion project dedicated to his son.  O. Russell's film is about a bi-polar man returning home to his family.  O'Russell has talked openly about his son being bi-polar and what it meant for him to make this film.

Benh Zeitlin who directed Beasts of the Southern Wild directed the script and scored the film.  This was Zeitlin's first film and made on a shoe string budget.  Zeitlin's heart and soul went into this film, and his vision drives the heart of the film.

One of the reasons auteur theory is widely criticized is because it negates the contribution of other people who worked on the film stating the the director is the end all be all.  Zeitlin and O. Russell did not create their films out of thin air, no man is an island after all.  If you look at Steven Spielberg's work in Lincoln and here him talk about Tony Kushner's script, and every aspect of the film you feel this sense of teamwork.

This couldn't be more true with Ang Lee and his direction of Life of Pi.  Lee's work with his cinematographer, visual effects team, screenwriter, and son on created an beautiful experience from a book that was thought to be impossible to adapt to the big screen.  The use of 3D technology along with many other elements transcends most traditional aspects of film making, and made this an incredible achievement.

The nominees are 
Michael Haneke-Amour
Ang Lee-Life of Pi
David O. Russell-Silver Linings Playbook
Steven Spielberg-Lincoln
Benh Zeitlin-Beasts of the Southern Wild

Who will win?  Without a previous winner/front runner in the group this leads things wide open.  While many would probably say Spielberg I just do not think he is going to win.  My gut tells me this is a race between David O. Russell and Ang Lee.  In the past director's win in this category have won a good deal of the time because the film "feels important" or because it has an "epic" nature."  Think Ben-Hur, Lord of the Rings, Schindler's List, Out of Africa, The Sound of Music.  There are location shots, visual effects, and so on.  This could be Beasts, Pi, or Lincoln.  Zeitlin is in fifth leaving Lincoln and Pi to fit that category.  Pi and Lincoln are both well respected films, from respected directors.  Before I go on about those two films like Silver Linings Playbook rarely win director, Annie Hall fits within that category, but that rarely happens.  So I am going to go with my gut and say Ang Lee.

Will Win: Ang Lee-Life of Pi
Spoilers: Steven Spielberg and David O. Russell

Sunday, February 10, 2013

Oscar Roundup 2012: BAFTAs Leaves Some Oscar Categories Shaken and Stirred Up


Well stick a fork in the Best Picture category folks, Argo has won almost every major Best Picture Award (non-critics), and will be poised to be the first film to win without a director nomination since Driving Miss Daisy in 1989.  Argo won two other prizes at BAFTA, Best Director, and Best Editing.

Affleck winning the Director race across the board, and being snubbed by the Academy poses an interesting question in this category.  Who will win?  Oscar pundits can't use data to help predict this award, predictions have to be based on a hunch this year.  At the moment I think this is a two person race, but surprise surprise I do not think either of those people is Steven Spielberg.  I think the director race is going to be between Ang Lee for Life of Pi, and David O. Russell for Silver Linings Playbook.  Spielberg may have received thunderous applause at DGA, and he is not out of this race, but Lincoln has been snubbed across the board; he was not even nominated for BAFTA.  Lee is a well like director, and many are impressed with the directorial achievement of this film.  O. Russell is ahead of Spielberg in my book for several reasons, this is seen as a personal project for him (people know this) he also has Harvey behind him, and Harvey could push him for a win in this category because of Affleck's snub.

BAFTA added a little variety to the Best Actress category picking Emanuelle Riva to win over favorites Jessica Chastain and Jennifer Lawrence. This is a big win, and here's why.  Silver Linings Playbook did not receive many nominations from BAFTA, they only received two nominations, and while no one predicted O. Russell to win Adapted Screenplay, he did, another surprise.  If BAFTA liked the film enough they would have picked Lawrence.  Zero Dark Thirty took home no awards, and while Chastain could still win she is in third place in my book.  While Zero Dark is fading Silver Linings Playbook is gaining momentum, and Amour is clearly beloved.  Winning at BAFTA in this category is a pretty good sign for a win at Oscar, Meryl Streep in The Iron Lady, Natalie Portman in Black Swan, Marion Cotillard in La vie en Rose, and many more.  While this is not fool proof this gives Emanuelle Riva a massive bump in the voting season.  Look for her to surprise with a potential win.

BAFTA has added another interesting layer to the Best Supporting Actor category as well.  Christoph Waltz who won the Golden Globe, won at BAFTA here today.  Tommy Lee Jones won at SAG.  Phillip Seymour Hoffman won at the critics choice, so wins at the Oscars?  Several critics on Twitter have said it best Waltz is lead in a supporting category, which gives him the edge, and the Academy likes this type of performance.  Waltz could take this!  Django also won in Best Original Screenplay, and while Tarantino is not up for WGA, neither is its fiercest competitor Amour.  Look for Tarantino to win screenplay, making up for his loss for Inglorious Basterds in 2009.

The other big surprises is that Les Miserables won four trophies (Best Production Design, Best Make-Up/Hair, Best Sound, and Best Supporting Actress).  The film is a British production so I am not surprised it won these awards, but may not at the Oscars.  The other British film which scored big was Skyfall, which won for Best British Film, and Best Score (Thomas Newman).

Overall BAFTA seals the deal for wins by Argo (Best Picture, Best Editing), Daniel Day-Lewis (Best Actor), Anne Hathaway (Best Supporting Actress), Life of Pi (Best Cinematography, and Best Visual Effects), Anna Karenina (Best Costume Design), and Amour (Best Foreign Language Film), and the rest are up to the fate of the Oscar Gods.

BEST FILM
X - "Argo"
"Life of Pi"
"Lincoln"
"Les Misérables"
"Zero Dark Thirty"
BEST BRITISH FILM 
"Anna Karenina"
"The Best Exotic Marigold Hotel"
"Les Misérables"
"Seven Psychopaths"
X - "Skyfall"
BEST DIRECTOR
Michael Haneke, "Amour"
X - Ben Affleck, "Argo"
Quentin Tarantino, "Django Unchained"
Ang Lee, "Life of Pi"
Kathryn Bigelow, "Zero Dark Thirty"
BEST ACTOR 
Ben Affleck, "Argo"
Bradley Cooper, "Silver Linings Playbook"
X - Daniel Day-Lewis, "Lincoln"
Joaquin Phoenix, "The Master"
Hugh Jackman, "Les Misérables"
BEST ACTRESS
Jessica Chastain, "Zero Dark Thirty"
Marion Cotillard, "Rust and Bone"
Jennifer Lawrence, "Silver Linings Playbook"
Helen Mirren, "Hitchcock"
X - Emmanuelle Riva, "Amour"
BEST SUPPORTING ACTOR
Alan Arkin, "Argo"
Javier Bardem, "Skyfall"
Philip Seymour Hoffman, "The Master"
Tommy Lee Jones, "Lincoln"
X - Christoph Waltz, "Django Unchained"
BEST SUPPORTING ACTRESS
Amy Adams, "The Master"
Judi Dench, "Skyfall"
Sally Field, "Lincoln"
X - Anne Hathaway, "Les Misérables"
Helen Hunt, "The Sessions"
BEST ORIGINAL SCREENPLAY
"Amour"
X - "Django Unchained"
"The Master"
"Moonrise Kingdom"
"Zero Dark Thirty"
BEST ADAPTED SCREENPLAY
"Argo"
"Beasts of the Southern Wild"
"Life of Pi" 
"Lincoln"
X - "Silver Linings Playbook"

 
BEST FOREIGN LANGUAGE FILM 
X - "Amour"
"Headhunters"
"The Hunt"
"The Intouchables"
"Rust and Bone"
BEST DOCUMENTARY FEATURE
"The Imposter"
"Marley"
"McCullin"
X-"Searching for Sugar Man"
"West of Memphis"
BEST ANIMATED FILM 
X - "Brave"
"Frankenweenie"
"ParaNorman"
BEST PRODUCTION DESIGN
"Anna Karenina"
"Life of Pi"
"Lincoln"
X - "Les Misérables"
"Skyfall"
BEST CINEMATOGRAPHY
"Anna Karenina"
X - "Life of Pi"
"Lincoln"
"Les Misérables"
"Skyfall"
BEST COSTUME DESIGN 
X - "Anna Karenina"
"Great Expectations"
"Les Misérables"
"Lincoln"
"Snow White and the Huntsman"
BEST EDITING
X - "Argo"
"Django Unchained"
"Life of Pi"
"Skyfall"
"Zero Dark Thirty"
BEST MAKEUP & HAIR 
"Anna Karenina"
"Hitchcock"
"The Hobbit: An Unexpected Journey"
"Lincoln"
X - "Les Misérables"
BEST SCORE
"Anna Karenina"
"Argo"
"Life of Pi"
"Lincoln"
X - "Skyfall"
BEST SOUND
"Django Unchained"
"The Hobbit: An Unexpected Journey"
"Life of Pi"
X - "Les Misérables"
"Skyfall"
BEST VISUAL EFFECTS
"The Avengers"
"The Dark Knight Rises"
"The Hobbit: An Unexpected Journey"
X - "Life of Pi"
"Prometheus"
BEST DEBUT BY BRITISH WRITER/DIRECTOR/PRODUCER
Thina Garavi (writer/director), "I Am Nasrine"
X - Bart Layton (writer) and Dimitri Doganis (producer), "The Imposter"
David Morris (director) and Jacqui Morris (director/producer), "McCullin"
James Bobin (director), "The Muppets"
Dexter Fletcher (writer/director) and Danny King (writer), "Wild Bill"
RISING STAR AWARD
Elizabeth Olsen
Andrea Riseborough
Suraj Sharma
X - Juno Temple
Alicia Vikander