Showing posts with label Christian Bale. Show all posts
Showing posts with label Christian Bale. Show all posts

Monday, December 2, 2013

American Hustle is an Entertaining Story about ABSCAM and the Con Game with a Great Ensemble

American Hustle (3 1/2 out of 5 Stars)
Directed by: David O. Russell (The Fighter, Silver Linings Playbook)
Written by: Eric Singer (The International), David O. Russell (Silver Linings Playbook)
Starring Christian Bale, Amy Adams, Bradley Cooper, Jeremy Renner, and Jennifer Lawrence



American Hustle starts out with a warning saying "These events happened" but maybe not exactly this way.  In the late 1970s and early 1980s the FBI ran stings they code named ABSCAM, short for Abdul Scam, the name of their front company.  This film takes these real life events, throws in their con men and women, and the game begins.

Hustle centers around Irving Rosenfield (Bale) and Edith or well Sydney Prosser (Adams) both of whom never wanted to be the victim in their lives.  Irving grew up watching his old man get pushed around with his window business, but as a young kid began the con breaking other people's windows so his dad would succeed.  Sydney, or Edith charmed her way into a job at Cosmo, and never looked back.  When the two meet at a party they fall madly in love with one another, and soon begin to run cons on people through their fake business.

While working one of their latest victims Richie DiMaso (Cooper) the two find out that he is an FBI agent, and instead of going to jail they get brought into this ABSCAM business with the FBI trying to catch other people in the con game.  What happens next is to fun to spoil, but needless to say this ensemble works so well together its hard to not smile as each aspect of the story unfolds.

Over the years David O. Russell has been a master at creating films centered around great ensembles from 1996's Flirting with Disaster all the way to this film.  Within this film their an ease to his direction, something more whimsical like his early work.  Within his last two films there was always something missing, the ensemble worked, but his direction did not feel cohesive enough or felt manipulative.  In this film O. Russell who directed and wrote the script with Eric Singer has created a much more balanced experienced that is more whimsical, and entertaining.  

The most successful thing about the film/script is defined by Bale's character himself, who defines morality as neither black and white, but rather grey.  Within this film O. Russell and Singer create more dense characters who live within the grey.  None of these characters are heroic nor do they fit within the cookie cutter modules O. Russell defined within his last two pictures, hence creating a much more rich ensemble piece.

Bale's performance was the strongest in the film, every time I watch him act I lose myself in his performances this has happened in almost every role he has taken on from The Machinist to his other film with O. Russell The Fighter.  You have to wonder if you are always being played by Irving, or where the vulnerability lies, but Bale is so convincing you can't see through the character. 

The rest of the ensemble is good, Cooper is hilarious, playing to his strength of comedic timing as an actor.  Adams is both striking to look at, but is better than I expected she plays the game as well as Irving, and there is so much strength within her performance.  The one person who did not fit into the ensemble as well was Jennifer Lawrence.  Critics have been singing her praises within this role, and she is funny, and does not do a bad job, but there is something lacking within this performance.  First and formost Lawrence's spotty New York accent is distracting; she could not pull it off.  Lawrence has always exuded maturity within her roles like Winter's Bone, and Silver Linings Playbook, but in this film she was playing a an immature person trying to be mature, and it did not work.

At the end of the day American Hustle is an entertaining film, with a great ensemble, solid direction, and great costume design.   

Wednesday, November 27, 2013

State of the Oscar Race 2013: Which of the Many Best Actor Candidates Make the Cut?

Best Actor Oscar
Yesterday's Independent Spirit Award Nominations proved one fact, there are so many great performances from male leads this year that there had to be six nominees.  The six nominees are Bruce Dern for Nebraska, Chiwetel Ejiofor for 12 Years a Slave, Oscar Isaacs for Inside Llewyn Davis, Michael B. Jordan for Fruitvale Station, Matthew McConaughey for Dallas Buyers Club, and Robert Redford for All is Lost.

Looking at this list of six most folks, including myself would go wow, this would be a great line-up for Oscar, and they and I would be right.  There is just one or well a few minor problems, and they include: Tom Hanks for Captain Phillips, Forrest Whitaker for Lee Daniels' The Butler, Christian Bale in Out of the Furnace or American Hustle, Leonardo DiCaprio for The Wolf of Wall Street or even The Great Gatsby, and the bigger long shots Idris Elba for Mandela: Long Walk to Freedom, Joaquin Phoenix for Her, and Ben Stiller for The Secret Life of Walter Mitty.  That is 15 possible candidates, and astounding.

Let's look at Independent Spirit Award Nominees past track record, meaning the last 5 years, or even 10 before that the amount of crossover between minimal.

2012

Only Bradley Cooper was nominated for both Oscar and and the Independent Spirit Award (ISA), but he did not win either John Hawkes who was a strong contender to be nominated, but missed out because of Joaquin Phoenix.  Hawkes won the Spirit Award.  Of the five nominees Cooper and Hawkes were the only strong contenders.

2011

Jean Dujardin won the ISA and the Oscar for Best Actor for The Artist, this rarely happens, but could happen again this year. Dujardin and Demian Bichir were the only two nominated for the ISA, and Oscar.  The only other nominee for the ISA who had a possibility of being nominated was Ryan Gosling for Driver, but the Academy appeared to hate this film.

2010

James Franco was the only person nominated for ISA, and Oscar of the five nominees; he won the ISA, but lost Oscar to Colin Firth.  None of the other four contenders were ever "serious" contenders for Oscar.

2009

Jeff Bridges won the Oscar and the ISA for Crazy Heart.  The only other person nominated for both ISA and Oscar was Colin Firth for A Single Man.  None of the other three men were "serious" contenders.

2008

If you want to find a year similar to to 2013, where ISA, and the Oscars line-up was 2008.  4 of the 5 nominees were nominated at both, and they were Sean Penn in Milk (who won the Oscar) Mickey Rourke for The Wrestler (won the ISA), Jeremy Renner for The Hurt Locker, and Richard Jenkins for The Visitor.  I could see a similar situation to this happening this year, 4 of the five nominees come from this line-up, while two are snubbed.

Let's look at this year's ISA nominees:

Locks:
Chiwetel Ejiofor-12 Years a Slave
Robert Redford-All is Lost
Matthew McConaughey-Dallas Buyers Club

Ejiofor and Redford are the two top contenders at the moment, but watch out for Matthew McConaughey his performance in Dallas Buyers Club is the thing Oscar performances are made of!

Near Lock:
Bruce Dern-Nebraska

Dern is almost the next closest thing as a lock in this category, with his buddies like Nicholson and his daughter Laura Dern championing him, he can/will be a strong contender to not only be an Oscar nominee, but a surprise winner.

Longshots:
Oscar Isaacs-Inside Llewyn Davis
Michael B. Jordan-Fruitvale Station

Isaacs and Jordan are the newcomers of this group, they have critically acclaimed performances, but breaking into this category as relative new comers is going to be tough.

Who takes the fifth spot of the non-ISA contenders?

Tom Hanks-Captain Phillips-The film just made 100 million and he is getting rave reviews for his performance.  The thing working against him is that people may just nominate him in supporting for Saving Mr. Banks.

Forrest Whitaker-Lee Daniels' The Butler-The film is going to better with Oscar voters than critics, and with Weinstein Company behind the film I can't imagine it not getting more than one acting nomination  Whitaker has won before, is the movie out of sight out of mind?

Christian Bale-Out of the Furnace or American Hustle-If he was going to get nominated my money would be on Hustle, but in this tough year his performance and weight gain may be overlooked.

Leonardo DiCaprio-The Wolf of Wall Street or The Great Gatsby-Wolf has not been seen by anyone, and DiCaprio is always a dark horse especially in a Scorsese film.  Gatsby is only a contender in the technical categories.

At the moment my prediction for Best Actor is:
Bruce Dern-Nebraska

Chiwetel Ejiofor-12 Years a Slave
Tom Hanks-Captain Phillips
Matthew McConaughey-Dallas Buyers Club
Robert Redford-All is Lost

Anything is possible in this category, but I only see one of these men losing out, if any.  The truth of the matter is that Oscar should take a note from the ISA nominees, and have 6 nominated performances.





Friday, July 20, 2012

The Dark Knight Rises to Meet the Expectations of Truly Impressive Conclusion

The Dark Knights Rises (4 out of 5)
Directed by Christopher Nolan (The Dark Knight, Inception, Memento)
Written by Christopher and Jonathan Nolan (Memento)
Starring: Christian Bale, Anne Hathaway, Tom Hardy, Joseph Gordon-Levitt, Gary Oldman, Marion Cotillard, Michael Caine, and Morgan Freeman


Last night I was able to experience all three Batman films from Christopher Nolan back to back. What a way to watch this "trilogy!"  Batman Begins started at 6:30, and set the pace from one of the entertaining film experiences I have ever had.  The film series has changed the face of "comic book" or pulp film, and this film is the largest undertaking for Nolan to date within this series.

The films starts eight years after The Dark Knight, Batman and Bruce Wayne have both disappeared from the public since the fall of Harvey Dent.  Batman is public enemy number one for the police, and Wayne himself has isolated himself from the outside world because he felt as though he failed at saving Gotham, and its people from the chaos the Joker imposed.  Bruce Wayne is drawn back in the world of Batman when a cat burglar named Selina Kyle (Hathaway) breaks into his home stealing his finger prints.  This thief leads way to another criminal mastermind Bane (Hardy( who wants to release Gotham from the chains of the government and take chaos to a whole new level.

Revealing any more of the plot would the pure enjoyment for audiences.  The film is epic and Christopher Nolan has taken on some mammoth productions in the past, but this films large scale ups the ante.  Nolan has tied together some modern elements of societal problems within this film like within his other films to make this world more salient.  Financial troubles are at the center of this film, and mistrust of the government.  In the current socio-political/economic climate (on a global level) there is a mistrust of those who were born with silver spoons in their mouth.  There are numerous points in the film when characters like Selina Kyle and others point out the fact that Bruce has never had to struggle financially so he does not understand the way these "villains" have built up this fierce anger and hatred toward those who have never had to fight or even work for what they needed.

As Wayne Batman have grown weaker and goes further into seclusion the League of Shadows new leader Bane becomes "Gotham's reckoning."  Hardy does not get to act in the same fashion Heath Ledger did with his version of the Joker, but the Bane villain is different.  Bane wears a mouthpiece because of something when he was younger, the apparatus on his face keeps him alive.  People are going to complain they can't understand Bane, although it was much better in this film than in the initial test screening.  Bane represents more than an agent of chaos; he wants to turn Gotham inside out, and has no fear about bringing the people of Gotham to their knees.

Selina Kyle wants to see the people of Gotham suffer too.  Kyle's cat burglar is done incredibly well; she does purr, or become overly cat like, she is more of a bad ass acrobat.  Hathaway does a great job with being sultry, and has incredible chemistry with Bale.  The character never feels out of place like I thought it would.  The other female in the film Miranda Tate (Cotillard) is the financial savior for Wayne Enterprises, the character is a bit bland throughout and has sexual encounter with Bruce Wayne that does not seem to make sense because of Kyle, but the end result is brilliant.  

Another new character on the scene is John Blake (Gordon-Levitt) a cop who becomes a detective.  Through John's eyes the story tells a sign of the hope youth have in the the symbol of someone like Batman who will come in and save the day.  Gordon-Levitt is a great addition to this film, and it fits that Gary Oldman's Commissioner Gordon (one of the best working actors) finally has a cop on his side who understands what Batman represents.

Batman himself or the broken Bruce Wayne played by Christian Bale has evolved so much.  Watching Bale in all three films yesterday have proven to show that not only has this man grown as an actor, but he truly has taken fans of this franchise on an evolutionary journey with this character.  Bale's Bruce Wayne and Batman has taken flight within this film, and this is one great performance. 

While Bale and Nolan do an incredible job within this film, there are still flaws that exist.  Some will call this film "clunky" and while I disagree with that label I can see where the boom can over power.  The opening sequence tries to replicate the introduction of the Joker, but there is no way to repeat that brilliant introduction.  Hans Zimmer's score for this film has moments where the music overpowers the dialogue or becomes to bombastic, but yet there are also the quiet moments when the score reveals some of the most wrought moments.  There were times in the beginning when Nolan seemed to be going in too many directions with too many characters, but the film filtered that, and even as the end (like in The Dark Knight) feels as though its taking too long to get there you are on the edge of your seat because of the built up with anticipation.

As a comic book reader this film hit it out the park with some of the most interesting Batman stories.  While I know Nolan wants to end the story with this film, and it feels like it could be an ending there are so many stories to explore further.  If this is the end, as Nolan states this was an incredible way to end this series, and I feel as though the closure given provides enough on an opportunity for the caped crusader to disappear into the night.