Showing posts with label Daniel Day Lewis. Show all posts
Showing posts with label Daniel Day Lewis. Show all posts

Sunday, January 27, 2013

Argo Wins Best Ensemble at SAG, Downton Abbey and Modern Family win on Television Side

Tonight Argo stepped even closer to a Best Picture win at the Academy Awards.  Argo has now won Best Picture at the Broadcast Film Critics Association, Golden Globes, Producer's Guild Awards, and here.  At this very moment I can feel many film critics and Oscar pundits switching their Lincoln Best Picture win to Argo.  One of the most intriguing things to me is if Argo wins Best Picture who wins Best Director?  I will be theorizing that one for a while.

In the other film categories Lincoln picked up two trophies one for Best Lead Actor (Daniel Day-Lewis), and one for Supporting Actor (Tommy Lee Jones).  Day-Lewis has the Best Actor prize in the bag, and Tommy Lee Jones has a strong shot at the Best Supporting Actor award, but he was not there to accept, so look for missing Christoph Waltz to be a spoiler.

Jennifer Lawrence made the Best Actress category more interesting tonight beating Jessica Chastain, this puts Lawrence out front, but never count out any surprises although with Harvey Weinstein behind her campaign she has the best chance.  Anne Hathaway further proved that her dream she dreamt will come true winning Best Supporting Actress, and I like that she thanked her Dark Knight cast; she gave a much better speech.

On the television side the Comedy Winners remained as stale as day old bread.  Alec Baldwin and Tina Fey whom I love won for Best Actor and Actress, and obviously it was as a parting gift for their great work on 30 Rock.  Modern Family also won for a third year in a row, and while I love their ensemble there are so many other great ensembles out there.  I guess I am just glad Betty White did not win this year or else they would have been the exact same winners as last year.  Baldwin and Modern Family have won together for the last three years, sloppy!

In the mini-series or movie category rubber stamped winner Kevin Costner and Julianne Moore won.  Costner was not present, but neither were any of his competition.  I think this is the first time in all my years of watching award shows where not a single nominee in a category has shown up.

The drama categories finally shook things up for the television world.  Best Actor went to Bryan Cranston he beat out front runner Damien Lewis.  Claire Danes was not nominated last year, but won Best Actress last year.  Downton Abbey won Best Ensemble, and I loved watching the actress who plays Mrs. Hughes accept for the cast; she was too precious.

One of the highlights of the evening was watching Dick Van Dyke get his lifetime achievement award. In watching his film reel, and hearing beautiful but brief acceptance of the award it was a great moment in one of the more boring award shows.

Saturday, December 8, 2012

Boston Online Film Critics Name Zero Dark Thirty Best Picture (with some other fun Surprises)

This year already has a runaway favorite with critics groups, NY, NBR, and now the Boston Online 
film critics have named Zero Dark Thirty Best Picture.  Kathryn Bigelow has won Best Director every time as well.
In the acting world Daniel Day Lewis and Jessica Chastain both have two wins.  Day Lewis won with NYFC, and now Boston.  Chastain won with the NBR, and Boston as well.  Tommy Lee Jones and Anne Hathaway have surprising picked up their first wins with this critics group.  Looking at all of the major categories I would not be shocked  if these were the wins (at least in the acting world).
Zero Dark Thirty could also be the best Picture winner, but Lincoln (at this point) could be an incredibly fierce competitor, or maybe even Argo, the Academy love the actor turned director.
I love watching the critics group anoint people in the technical categories because they usually do an incredible job.  Skyfall winning Cinematography is much deserved, and I hope this film gives Roger Deakins his first win.  Watching the Best Animated Feature race has been fun as well, the critics have been split, picking a variety of options, and this could be one of the few years this face is actually exciting 
BEST PICTURE:
ZERO DARK THIRTY
BEST DIRECTOR:
Kathryn Bigelow, ZERO DARK THIRTY
BEST ACTOR:
Daniel Day-Lewis, LINCOLN
BEST ACTRESS:
Jessica Chastain, ZERO DARK THIRTY
BEST SUPPORTING ACTOR:
Tommy Lee Jones, LINCOLN
BEST SUPPORTING ACTRESS:
Anne Hathaway, LES MISERABLES
BEST SCREENPLAY:
Tony Kushner, LINCOLN
BEST FOREIGN LANGUAGE FILM:
OSLO, AUGUST 31ST
BEST DOCUMENTARY:
HOW TO SURVIVE A PLAGUE
BEST ANIMATED FILM:
PARANORMAN
BEST CINEMATOGRAPHY:
Roger Deakins, SKYFALL
BEST EDITING:
William Goldenberg & Dylan Tichenor, ZERO DARK THIRTY
BEST ORIGINAL SCORE:
Jonny Greenwood, THE MASTER
BEST ENSEMBLE CAST:
MOONRISE KINGDOM
THE TEN BEST FILMS OF THE YEAR:
  1. ZERO DARK THIRTY
  2. BEASTS OF THE SOUTHERN WILD
  3. LINCOLN
  4. MOONRISE KINGDOM
  5. DJANGO UNCHAINED
  6. OSLO, AUGUST 31ST
  7. HOLY MOTORS
  8. THE MASTER
  9. ARGO
  10. CLOUD ATLAS

Monday, December 3, 2012

Zero Dark Thirty and Lincoln Dominate the 2012 New York Film Critics Circle (NYFCC) Awards

At the moment the New York Film Critics Circle (NYFCC) have started to announce their winners.  In the acting categories the supporting winners have been announced with one slight surprise and one not so surprising.

Sally Field is the winner in for Lincoln in the Supporting Actress category.  Field is on the track to be nominated for her third Oscar, and potentially third win.  Many were predicting Hathaway, but Field is another favorite here.

Matthew McConaughey is a little bit more of a surprise winner in the Supporting Actor category for both Bernie, and Magic Mike.  McConaughey has changed my opinion and many critics opinions of him this past year with many great roles, and some solid acting.  Along with these two roles McConaughey had great roles in The Paperboy, and Killer Joe.  While I am a bit surprised by his win; he was touted by critics a lot this year.  I am proud of him.

Updated 11 am (PST) : More and more surprises are being handed down from the critics.  While many bloggers/prognosticators have been predicting I think most thought the critics awards would try to lean more with the "popular" choice.  The Best Actress winner proves they are going for the true best, and bucking this trend.  While many thought the award would go to Jennifer Lawrence (I predicted Marion Cotillard), the eventual winner, is a bit of a surprise.  Rachel Weisz won for her great performance in The Deep Blue Sea.  Weisz's role has been touted also by critics but few bloggers have mentioned her as a true contender.  As a previous Oscar winner this helps boost her chances.  The serious problem is that very few have seen the film.

The least surprising win for the NYFCC is in the Best Actor category, Daniel Day Lewis for Lincoln.  Day Lewis is a clear favorite, and could be one of the first men to win a third Best Actor Oscar.  Look for Day Lewis to win numerous critics awards.  This is his fourth win in this category, his other wins came from My Left Foot, Gangs of New York, and There will be Blood.

Updated 11:40 am (PST):  Lincoln has now taken three top prizes, including Best Screenplay.  The screenwriter for the film is wonderful Tony Kushner.  At the eleventh hour Lincoln appears to be a huge favorite, but I still foresee a Zero Dark Thirty win.  At this stage in the game Lincoln is a massive Best Picture threat, and rightfully.

Updated 11:49 am (PST) Kathryn Bigelow (Zero Dark Thirty) wins the Best Director prize; she is a true force to reckoned with at the Academy Awards this year, and raw brutal direction will put her over the top.  Look for her film to win Best Picture.  Fun fact Spielberg has never won this award, while this is Bigelow's second win in 5 years!

Updated 12:10 pm (PST) Zero Dark Thirty wins Best Picture!!  As predicted within this post, this film looked to be the frontrunner.  Zero Dark Thirty wins the top two prizes along with Best Cinematography.

Along with these acting wins here is the rest of the winners listed below


Best Cinematographer

Greig Fraser-Zero Dark Thirty





























































Best Animated Feature-Frankenweenie

Best Non-Fiction Film (Documentary)
The Central Park Five
Best Foreign Film
Amour
Best First Film
David France-How to Survive a Plague 

Wednesday, October 10, 2012

Lincoln Gives a Historical Lesson on how to Make a Great Bio-Pic

Lincoln (4 out of 5 Stars)
Directed by Steven Spielberg (Jaws, Schindler's List, Saving Private Ryan)
Written by Tony Kushner (Munich)
Starring: Daniel Day Lewis, Sally Field, David Straitharn, and Tommy Lee Jones



When I got back to my job from a ten day vacation, to my delight I found three invitations to screenings of films.  Two of them were for Wednesday, Lincoln and Silver Linings Playbook, and one for Thursday, Flight.  I picked Lincoln for two reasons.  The first reason one there was the live satellite interview with Spielberg and Day Lewis, and I was immensely interested to hear them speak about this film.  The second reason was because as a history major in my undergraduate days I worship the material, used to adapt this film.   Lincoln gives an historical lesson on how to make a great bio-pic.

The film starts four months before the end of the Civil War, as the battles are raging on, President Abraham Lincoln is looking to bring the nation back together meanwhile trying to fight for the rights of those enslaved by the Confederacy.  There are no real spoilers in this film, as everyone hopefully knows the 13th Amendment was ratified, and President Lincoln was assassinated.  The film focuses on the journey to ratification, and the eventual death of the President and what he meant to this nation at the time, and in a sense what he still means to Americans.

The film was adapted from the book "Team of Rivals: The Political Genius of Abraham Lincoln" from Dorris Kearns Goodwin.  In the interview with Spielberg he stated that back in 1999 when the book was released he read it, and asked Goodwin if he could buy the rights and make the book into a film about Lincoln.  This film has been in the works since 1999.  Spielberg asked playwright, and screenwriter Tony Kushner, with whom he would work on Munich with first, to write the screenplay for this film.  Spielberg openly discussed that Kushner's first version of this script was over 500 pages "and would be longer than most HBO mini-series."  Fair warning if you do not have a love of history this may still feel like a long HBO mini-series.

You will be happy to know that the film was condensed and made into a much sharper history lesson about the man, the myth, and the legend that is Abraham Lincoln.  You should also know that Goodwin is a historian, and as a historian her job is to convey fact, and to provide authentic context and and experiential journey for the readers.  Kushner's screenplay does exactly the same thing; he creates scenarios like in his play Angels in America, where characters, mainly Lincoln talk and provide history. lessons to those around them.  This is something that Lincoln did on a regular basis to everyone who would listen.  Some will describe this script as "talky" but I say the script is the perfect blue print for a film that is meant to provide a snap shot of the historical context on the importance of this man, and his impact on the society then, and now.

Kushner and Spielberg worked together on another film about a real life event, Munich.  Munich was Speilberg's last well made film, it has his signature style, but also goes off book.  Lincoln has the same quality as this film; he allows the material, like the writing from the book, and screenplay, and the acting do most of the work.  You often know when you are watching a Steven Spielberg film, there are certain qualities or aspects, which signify his style.  This is something every director has, but they are often most successful when they stray from their comfort zone, and imbibe a little fear, something Spielberg talked about in his interview.  There was careful planning that went into making this film, and the end results are proof that he worked hard to get the most from this film, and his leading man.

As Daniel Day Lewis steps on stage, there is chill that passed down my spine, something he often invokes with his acting, or presence.  Day Lewis is a brilliant as Lincoln; he brings to life the man, his speeches, and shows you just how comfortable he was connecting with the masses.  Lincoln was one of the few Presidents we have had who came from nothing, Day Lewis connects with this aspect of Lincoln, and proves that within him there is a way for you to connect with him in this role on every level in believe in the greatness of this man.

Day Lewis shared with online audiences the way Lincoln made his decisions; he talked out loud with the people around him from his wife, to his Cabinet, and even to every day people.  This part of the film was wonderfully crafted with the screenplay, but also shows up with the great ensemble.  There were few shining stars in the rest of the ensemble but together these character actors worked together to create a seamless environment where you fell into the landscape of the film.  The one standout supporting performance for me was Tommy Lee Jones who played Representative Thadeus Stevens, a Republican who believed in full equality for all Americans.  Jones had great speeches, was funny, touching, and shined in a truly great supporting role.

Together these actors, along with a subdued, yet beautiful score by John Williams create an environment rich in context, and historical lessons. Together with the direction from Spielberg, and the writing from the original author, and the adapted work form this great history lesson.  One of the great things about film, is the way it informs everyday life, giving a basic understanding to different life experiences For example in this film shows our democratic process, and the way it still remains the same throughout all these years.

Audiences will make the comparison of the current political spectrum and the way way we remain a country divided by deep issues.  There is no Civil War brewing, but it feels as though are differences divide us stronger than ever, or are a resemblance of the debates the House has in this film.  From abortion to gay marriage, the country does not see eye to eye, and we seem to be in a constant battle with one another.  People are going to compare President Obama, a man who has broken barriers to Lincoln based on the material of this film, its only natural.  Yet some would disagree because of their political leanings. Lincoln, is not only a well made movie, but an important historical document.

Biographical films rarely focus on getting things right on multiple levels.  Most focus on the entertainment value.  Can we sell this person's story?  Lincoln tells a history lesson, and is a well made film, I am proud to say I enjoyed this film.  Nice rebound from War Horse!