Gravity, and Her Top the L.A. Film Critics Association Awards (Among Many Ties)

Today with Boston Society of Film Critics, the New York Online Film Critics Association, and L.A. Film Critics Association (LAFCA) announcing their winners, there is an aura of split decisions.  Today Boston and New York picked 12 Years a Slave, but L.A. deemed Best Picture a tie between Gravity and Her.  Beyond the New York (non-online critics) who picked American Hustle these films have been dominating forces with numerous wins for Nebraska, and Inside Llewyn Davis in acting and technical categories.  The lack of consensus proves this year has a lot of quality films, and this could be one of the most interesting award seasons to date.

As stated above the LAFCA deemed Best Picture a tie between Gravity and Her.  Gravity took home four prizes including Best Picture, Best Director for Alfonso Cuaron, Best Editing, and Best Cinematography.  Her won two prizes, Best Picture, and Best Production Design, the film was a runner up in three other categories.

"It's a tie" seemed to be a repetitive pattern throughout the live tweeting of these winners.  There was a tie in the Best Actress category between Cate Blanchett, Blue Jasmine, and Adèle Exarchopoulos, Blue Is the Warmest Color.  There was also a tie in the Best Supporting Actor category between James Franco, Spring Breakers, and Jared Leto, Dallas Buyers Club.  Once again Blanchett and Leto stick out as the front runners of the award season in the acting categories.

Based on the voting for Best Actor I think its safe to say there are four locks McConaughey, Redford, Dern, and Ejiofor.  I think Tom Hanks is vulnerable for Captain Phillips, and there are many actors who could swoop in to take his spot.  Yet do these awards matter?  The films that were most helped by these critics awards were American Hustle (although forgotten by the rest) and Her, these awards get their names out their and cement motion for them to potentially make waves with the Academy.  

On another note props to the great Megan Ellison for winning the New Generation prize; she deserves it!

• Best Picture: Gravity and Her (tie)
• Best Director: Alfonso Cuaron, Gravity; runner-up: Spike Jonze, Her
• Best Actor: Bruce Dern, Nebraska; runner-up: Chiwetel Ejiofor, 12 Years a Slave
• Best Actress:  Cate Blanchett, Blue Jasmine, and Adèle Exarchopoulos, Blue Is the Warmest Color (tie)
• Best Supporting Actor:  James Franco, Spring Breakers, and Jared Leto, Dallas Buyers Club (tie)
• Best Supporting Actress: Lupita Nyong’o, 12 Years a Slave; runner-up: June Squibb, Nebraska
• Best Screenplay: Richard Linklater, Julie Delpy, Ethan Hawke,Before Midnight; runner-up: Spike Jonze, Her
• Best Foreign-Language Film: Blue Is the Warmest Color; runner-up: The Great Beauty
• Best Feature Animation: Ernest & Celestine; runner-up: The Wind Rises
• Best Documentary: Stories We Tell; runner-up: The Act of Killing
• Best Music Score: T Bone Burnett, Inside Llewyn Davis; runner-up: Arcade Fire and Owen Pallett, Her
• Best Cinematography: Emmanuel Lubezki, Gravity; Runner-up, Bruno Delbonnel, Inside Llewyn Davis
• Best Editing: Alfonso Cuarón and Mark Sanger, Gravity; Shane Carruth and David Lowery, Upstream Color
• Best Production Design: K.K. Barrett, Her; Runner-up: Jess Gonchor, Inside Llewyn Davis
• Douglas Edwards Independent/Experimental Film/Video Award:
• Cabinets Of Wonder: Films and a Performance by Charlotte Pryce
• The NEW GENERATION prize: Megan Ellison.

Producer to Watch: Megan Ellison

Every month I typically pick a performer to watch, but this month its time to focus on a producer.  My boss sent me an article back in March of last year from Vanity Fair about upstart producer Megan Ellison.  Who is Megan Ellison, and why does she matter?  If you value quality film, she may be the future.  I wish I had as much of inside glance on this woman as Vanity Fair writer Vanessa Grigoriadis  (her article http://www.vanityfair.com/hollywood/2013/03/megan-ellison-27-producer-zero-dark-thirty).  What I can do is paint an important picture about her importance to quality film through her time as "the most talked-about independent financier in Hollywood.

At 27 Megan Ellison already has an impressive list of production credentials:

True Grit (2010)
The Master (2012)
Zero Dark Thirty (2012)
Spring Breakers (2013)
Her (2013)
American Hustle (2013)
Upcoming Films:
Foxcatcher (2014)
Terminator 5 (2015)

Ellison is the daughter of billionaire Oracle Corporation CEO Larry Ellison; she started with some minor funding some projects back in 2006 for minor projects.  Ellison's biggest pay-off was her investment in the 2010 remake of the Coen Brothers film True Grit, which made a good amount of money.  After Grit she was given more money to invest, in other films.  Ellison has also founded Annapurna Pictures.  The goal of the film production company on their website is to "produce sophisticated high-quality films that might otherwise be deemed risky by contemporary Hollywood studios"

If you look at the list of films listed above you will see two Best Picture nominees, and three films with acting nominations.  Her and American Hustle have yet to make their impact, but Hustle will most likely make the Best Picture race.  These films are also quite good, and will make their mark on film history.  An interesting fact about Ellison is that she outbid Lionsgate for the rights of The Terminator franchise in 2011, which gives me hope for the future of that film series.

Megan Ellison is a woman to watch, its rare to see a female producer out there in the trenches fighting for quality film.  There are some big names out there like Laura Ziskin, but at such a young age Megan Ellison is a producer to watch, and a person who could change the game the way the Weinstein Brothers did many years ago.