Showing posts with label The Good Wife. Show all posts
Showing posts with label The Good Wife. Show all posts

Thursday, November 28, 2013

My Thanksgiving List for Movies, Television, and Music (2013)

There are obvious things I am thankful for, like friends, family, and the lot.  There are also things I am thankful in the world of movies, music, television, and beyond, which I would like to share with you as well.  So here we go!

Movies

More Diversity on the Big Screen!

Sandra Bullock carried a 250 million dollar film, basically by herself this year with Gravity. I can't remember a female ever doing that on her own throughout the years I have watched film.

Then this has also been a great year for black cinema with Fruitvale Station, Lee Daniels' The Butler, 12 Years a Slave, The Best Man Holiday, and black Nativity.

This has been inspiring, and I am beyond thankful studios have finally realized the power in exploring diverse stories.

Better Adult Dramas

The quality of films this year is astonishing, I have seen so many great "adult dramas"ranging from Captain Phillips to Dallas Buyers Club, and more.  Adults stopped going to the movies, but they stopped because studios seemed to forget about them as a group.  Big surprise movies "adults" would see with an R rating are succeeding again, and studios are creating more and more, bravo!

Television 

Better new Fall comedies and dramas

Sleepy Hollow, Brooklyn-99, The Crazy Ones, Trophy Wife The Blacklist are just a few.  These are great shows, and its been a while since network television  has produced such fun creative new television in this large of a number.

The Good Wife

Week after week this show astonishes me with the writing, directing, acting, and beyond.  The show is in its fifth season, and has never faltered (well maybe with Kalinda's husband).  This year a game changing event has made this must see television and is the smartest television show on the air.

Breaking Bad 

The best show on the air, is closely followed by the best show, which just ended its run, and that's Breaking Bad.  Vince Gilligan and co. created a true arc, a series, which had a beginning middle, and end which felt connected like he knew what was going on the whole time.  Who does that when they create a series?  Intelligent people have a plan.  Bad's cast was just perfect, this was one of, if not the best final seasons of a show ever.

Music

Justin Timberlake

I am beyond happy he returned to music; he is the most talented performer/musicians in the mainstream at the moment, and he knows how to create an "Experience."  Loved both albums just wish I got to see him live with Jay-Z.

Monday, October 28, 2013

Why aren't You Watching it?: The Good Wife

Yesterday I asked why Rush did not do well, today its time to talk about televisions hidden gem of the last 4 plus seasons, The Good Wife.  The premise started off with Julianna Margulies playing Alicia Florrick a wronged wife of a Chicago States attroney, played by Chris Noth.  After her husband goes to jail; she goes back to her work as a lawyer herself.

Throughout these 4 plus years the shows quality has remained steadier than even most cable series, only wavering at the beginning of last season.  Beyond Margulies the ensemble is the best on television with Mrgulies, Josh Charles, Christine Baranski, Archi Panjabi, Alan Cumming, Matt Czuchry, and Chris Noth.  The shows guest stars are used better than any hospital drama could ever imagine, they fit within the plot, they are assets to the shows forward motion, and I will not even bother naming them because its a veritable whose who of amazing talent.

Last nights episode entitled "Hitting the Fan" proved that this is the best drama on television.  So go back to the beginning, do not be fooled because the show is on CBS, but this show is fluffy or light weight.  The creators of this show are Robert and Michelle King, they still write and direct the show, maintaining the quality, and keeping their vision on task.  They are brilliant.  The quality of this show is something other shows wish they could achieve.  I had a non viewer watch last nights episode with me, and he said he was going to start watching, and you should too!

Friday, September 20, 2013

Emmy Week (2013) Who Should Have been Nominated?

Every year there are always some gasps about major snubs, and because the Emmy Awards split their categories between drama, and comedy, there are always one or two in each category that should have made the cut in each category, but did not.  Who should have made the cut?

Outstanding Drama Series 
The Good Wife 

The Good Wife was nominated for Outstanding Drama Series for its first two years, but last year it was snubbed, and it became the first year no major broadcast nominees received a nomination.  Wife had a slow start, but built to a terrific finale, and had one of its strongest years creatively.

What would it have replaced, Downton Abbey.  Sorry friends, Downton is good, and addicting drama, but it is not one of the best shows on the air anymore.

Outstanding Lead Actor in a Drama Series
Matthew Rhys-The Americans

While the show itself was not amazing, in my opinion the performances from Matthew Rhys and Kerri Russell were out of this world.  Rhys who was great on Brothers & Sisters took things to a whole new level in this show.

Who would he have replaced-Hugh Bonneville-Downton Abbey-While Hugh had a great story line this past season with the death of his daughter and trouble with his marriage he could not hold a candle to the great performance of Rhys.

Outstanding Lead Actress in a Drama Series
Tatiana Maslany-Orphan Black

Maslany is a multiple threat, and I mean that literally she plays so many roles on Orphan Black it is hard to keep track of the number.  Maslany is fantastic in all of these roles, and she carried this show on her back with her great performance.

Who would she have replaced-Connie Britton-Nashville-The Emmy Awards have a toner for Britton, and while she deserved her three previous nominations she should have sat this year out.  Nashville is fun, and Britton is great, but Maslany is just miles ahead.

Outstanding Supporting Actor in a Drama Series (tie)
Sam Waterston-The Newsroom 

Love or hate the first season of The Newsroom, you can't deny that Charlie Skinner (Waterston) was the heart, which kept this show going.  Waterston is great in this role, and made you feel the passion this man has had for the news all these years.

Who would he have replaced?-Bobby Cannavale-Boardwalk Empire-Again Cannavale is a great actor, and I have admired his career trajectory, but this role was too over the top for me.  I think Waterston's under stated nature grounded his show.

 Corey Stoll-House of Cards

How can you nominate House of Cards for Best Drama, Best Actor, and give it 7 other nominations without a nomination for Corey Stoll.  Stoll was the heart of of this show, and his downward spiral within the DC world of political power was fascinating thanks in great part to this character actor.

Who would he have replaced?-Aaron Paul-Breaking Bad-I know this going to be unpopular, but Paul did not do much at all last season (I would nominate him next year).  In the first half of the last season Jesse Pinkman took a back seat to Mike, and just did not have as much to do; he was still great.

Outstanding Supporting Actress in a Drama Series
Monica Potter-Parenthood

Potter's cancer story line was one of the most heart wrenching things on television this past year; she was great, and I do not know if there was a moment where the actress did not sell every aspect of dealing with her disease.  What a beautiful performance.

Who would she have replaced-Christina Hendricks-Mad Men-Come on Matthew Weiner Joan is more than window dressing, and you gave her nothing to do this past season.  I get that the show centers around Don, but you lose other characters in the mix, and this year you did not do enough for the talented Ms. Hendricks.

Outstanding Comedy Series
Parks and Recreation

For some reason the Emmy Awards nominated this show one year, and has forgotten about it year after year.  This show continues to be the funniest show on the air, and the Emmy Awards for some reason have not gotten on board with this show.  Leslie Knope come on!

What would this show have replaced-30 Rock-While the show had a great last season, I think Parks never falters the way Rock did, and I would have rather seen the Emmy Awards stop trying to think their cool.

Outstanding Lead Actor in a Comedy Series
Jake Johnson-New Girl

Nick Miller grew up a little bit, and his relationship with Jess last season was one of the biggest highlights of the season.  Aside from this relationship Nick developed even further, and this is in large part to Jake Johnson's performance.

Who would he have replaced-Matt LeBlanc-Episodes-Another talented actor who has grown, but this show has lost its flavor, and LeBlanc did not do enough to deserve a nomination this time around.

Outstanding Lead Actress in a Comedy Series 
Zooey Deschanel-New Girl

How do you forget this quirky girl?  While the list of six nominees is great this year I can't help but think that without Deschanel there is something missing.  Jess's journey through love, and unemployment this year was touching, and hilarious.

Who would she have replaced-Edie Falco-Nurse Jackie-Falco is a great actress, and the show is solid, but she should have been bumped, because people are just simply voting for her as a name rather than on the talent.

Outstanding Supporting Actor in a Comedy Series 
Simon Helberg-The Big Bang Theory

How do you ignore Howard ?  Hellberg and the writing have fleshed out this character brilliantly making him less one dimensional hornball and rather a great loving husband, and soon to be father this season.  I am excited to see how that plays out, but there are more men on this show than Parson.

Who would he have replaced-Any of the Modern Family men-Hard to pick, each the show is getting monotonous, and while its hilarious, and good still, they should not have three spots anymore, and its to go in the way of The West Wing, where they fade away slowly.

Outstanding Supporting Actress in a Comedy Series 
Jessica Walter-Arrested Development

Binge watching, and the Emmy Awards were not kind to Arrested Development, but Walter should have been nominated, her single episode was one of the best of the season; she is great and one of the best television characters of all time.  How and why did she miss out?

Who would she have replaced-Jane Lynch-Glee-Speaking of character fatigue, love Jane Lynch, but how do these voters see this character as anything but one note now.  Ryan Murphy is the only person to blame, because he had no structure to the progression of his character.  In fact I think he makes things up as he goes, but poor Jane Lynch should not be nominated this year.






























































































































































Thursday, September 12, 2013

Fall 2013 TV Preview: Most Anticipated Returning Shows

I would say that during this time, most people pay attention to the new shows coming out, and while there is an excitement/build up for returning shows its almost never the same.  Part of the reason for this is that networks know people are "coming back" to their favorite show, and now its time to build up the hype for all of these new shows, so commercials at movie theatres and at home are geared more for the new rather than the returning, but what returning shows left people with such massive cliff hangers or cast changes that people are even more pumped for them to come back after a summer drought?

Glee (FOX)

Glee sadly makes the list because of the passing of Cory Monteith, if you ever considered yourself a Gleek, you will probably tune into the tribute episode for the young man who played the love able Finn Hudson.  It's honestly a shame that his character had that story line where he kissed Will, his mentor's fiance, but this episode will not allow a dry eye.

The Good Wife (CBS)

Alicia and Cary having their own firm versus Will and Diane?  Does this mean the end for Alicia and Will?  Josh Charles has only signed on for one more season.    Peter is the governor,  and more Carrie Preston, sign me up. all That  sounds like Must-See Television.

How I Met Your Mother (CBS)

The mother of all reveals happened, we finally met the future Theodore Evelyn Mosby, and I am pumped.  Barney and Robin are getting, still not as pumped about this, but I think this could be a great last season for a little show that became something bigger.

New Girl  (FOX)

Nick and Jess are together, it will be exciting to see where the show takes this romance, and hopefully it will not implode the way some shows lose steam with their popular couples once they get together.  Make them a Monica and Chandler, not a Ross and Rachel. Who will Schmidt pick?

NCIS (CBS)

I do not watch NCIS, but Cote de Pablo who plays Ziva is a fan favorite, and she has decided to leave the show, big mistake.  While this does not affect me I know many fans who will be curious to see how the show handles the characters departure.

Revenge (ABC)

Emily reveals herself to Jack, Victoria's son shows up, Nolan is being held, their is a gunshot to open the show, and Charlotte gets even bitchier bangs than Melissa Fuermo from One Life to Live.  This show ended with all cylinders fired up, but with a new show runner I am nervous.

Scandal (ABC)

There was a massive reveal at the end of last season when Olivia was blind sided reporters, and end up in a car with her father.  Where will the excitement head next with Pope and Associates, Shonda Rhimes is always full of surprise?




Wednesday, June 26, 2013

Emmy Dream Ballot: Outstanding Drama Series (2012-2013)

Dramatic television has upped their game, to the level where film makers are saying many television series are better than films today.  You can look at this list and see that cable, pay cable and other providers are responsible for most of these changes.  Only one network series made this list, and it comes from CBS.  

My one recent critique would be with critics themselves.  Critics have turned into fan boys becoming far too harsh on some series (The Newsroom, Homeland).  I think being "critical" is important, but there is such a thing as being overly critical.  The show I have been the most critical of this season was Mad Men, the show just did not have enough oomph, like with past seasons.  This seemed to be a consensus from both fans, and critics.  I do not want to pat myself on the back, but this is one area where we agree.  There are other shows where this is not the case.  As many of this "year's" shows come to an end it will be interesting to see how Emmy rates these shows.

Breaking Bad (AMC)

This past week on twitter, Bryan Cranston tweeted, there would be no Walter White without Tony Soprano.  Cranston is correct, but in my opinion Breaking Bad has surpassed the greatness of The Sopranos.  This past season Walt took an even darker road, in a post Gus world.  As we moved toward the end of a one year experience, inching toward's Walt's 51st birthday, there was such an interesting analysis of what drives the characters within this series.  Skylar realized her greed/husband's evolution were the wrong path, her quiet jump into the pool, left me speechless as you watch these characters lose themselves in the darkness of this world.  The revelation at the end of the season (no spoilers) was one of the most intense yet subtle moments, proving throughout the many years of this shows history, they can still knock out the intense drama in the most spectacular ways.


Game of Thrones (HBO)

The best season in the shows history? The shows critiques have always been, too slow.  The way the novels are set up, never allow this to be a action packed always on the go show, but it does not need to be.  This seasons "red wedding" is reason enough to place this show in this category.  Watching the intensity of the last moments of this episode as Rob and his mother Catelyn Stark as they are faced with their darkest hours is one of the most emotional scenes in television history.  Then there is the journey of Jaime and Brienne as they head back to King's Landing.  Then of course there is the "mother of the dragons."  Each of these stories along with the other journeys provide some of the most intense and interesting character journeys.  Thrones is at the top of its game, no pun intended, and this series is must watch television.


The Good Wife (CBS)

There was pang of nervousness at the beginning of the fourth season of Wife, Kahlinda's husband Nick, who should have given things a jolt, was a drain.  Michelle and Robert King heard the outcry from fans, and Nick soon disappeared.  Beyond this small blip, Wife was one of the best shows of the year.  You will often hear that guest stars bog down a show, but the King's know how to integrate them well.  From the firm's financial woes, their always interesting cases, Cary and Alicia vying for partner (and eventually doing something more bold, to Peter's gubernatorial race, this show fired on all cylinders.  The show blends character development, and the procedural better than most shows I have ever seen.  This is one of the best ensembles on television, and while Marguiles is the titular character, each of the other actors contributes to the brilliance of this show. This year's drama led you further into getting to know who these people are, and keeps you invested in wondering where they are going next.


Homeland (Showtime)

Homeland received a lot of criticism for delving into the will they or won't they drama between Carrie and Brody.  People cried out that this show is not about a love story, but my argument is that isn't this show about an intense cat and mouse relationship between these two characters?  The answer is simply, yes, and the show delivered on the continued development of this relationship.  The episode entitled "Q&A" is one of the most intense confrontations between these two characters and put their relationship at a cross roads.  The show is a rip of the band-aid, let's mess with everything type series, and this season proved that this show is brave enough to tackle and to move story forward without getting bogged down in the difficult aspects of these characters.  The show explores domestic terrorism so well, and within the last episodes when an attack actually occurs you are left speechless wondering how things can be recovered.

  

House of Cards (Netflix)

Netflix has entered the game, in a big way.  House of Cards is the first original series from the rental system, and boy did they start things right.  While many will give most of the credit to the performance from Kevin Spacey, as Francis Underwood, the show is an interesting look at the complexity of the modern political system.  While Aaron Sorkin examined complex issues within The West Wing, this show from Beau Willimon (Ides of March) examines the modern politician, and the virtues and vices they confront within this modern era of politics.  Willimon wisely made Kate Mara's character, a journalist, a central character within this series, because as you will observe, the journalists drive the story, and politics as much as a the politicians do today.  Cards breaks the fourth wall, provides excellent deep characters like Peter (Corey Stoll) a conflicted Congressman, and at the end of the day makes you wonder how our system became as flawed as it is today, brilliant show.


The Newsroom (HBO)

This show had the most mixed reviews on this list, critics trashed many aspects of this series, but I thought this was an excellent analysis of the blending between quality journalism and the trying to deal with the style over substance method used today.  Will (Jeff Daniels) is a pompous arrogant asshole, he is not typically a like able guy.  Daniels is fantastic in the role, never letting you forget the passion Will has for this business.  The writing is always stellar, and is a great looking glass back in time on how news was covered, could be covered, and just how personal it can become.  The main critiques of this show were the hooky romance plot lines, and the way women were portrayed.  While some of these critiques were valid I do not think Sorkin and his writing time missed the mark on portraying a variety of different men and women within this series.  While the women are not always the strongest, the men are sometimes, or often assholes.  Sam Waterston's Charlie Skinner brings this group together, and helps focus most of this show's energy.  If for nothing this got Dan Rather's stamp of approval for realism, and that's enough for me.


Saturday, June 22, 2013

Emmy Dream Ballot: Outstanding Lead Actress in a Drama Series (2012-2013)

I feel as though I say this every year (but I don't), the roles for women in television have only gotten better.  If you look at these six women, they represent a wide variety of women, and represent different character distinctions along with having their own journeys.  Some of these women are working mothers, bad ass CIA agents, spies for other governments, or fixers.  

Kerri Washington is the first lead African American actress to be a part of this category in all of the years I have watched dramas (or should be a part of this category.)  Washington's Olivia Pope is one of the few strong lead African American or black actresses to be a major lead on any television series cable, basic or pay.  This is odd considering the way television has grown, but I think this is a great advancement, and should be recognized.   Take note television it's time for more representation, and not just the supporting characters!

Claire Danes as Carrie Mathison in Homeland 


Danes performance was made fun of mercilessly by Ann Hathaway on SNL this past year.  While the dig was funny, I think one thing is true, Danes intensity has created on of the most fantastic characters on the air. Watching Carrie grapple with her suspension, and then get sucked right back into the CIA game.  There is no greater performance than watching her go after Brody, attack him using her more together prowess then interrogate him and use him as an agent of the agency.  The episode Q&A proves just how great Danes is within this role, and beyond the romantic connections, she plays every movement, tick, anxiety ridden instance with ease.

Vera Farmiga as Norma Bates in Bate's Motel

I have to say from the first time I saw previews of this show, and heard they were doing a modern take on Psycho, I was against it from the start.  I watched the show, and caught up on most of it, and while I still am not a fan, Farmiga makes me want to tune in, week after week.  Farmiga's dark motherly ways make this one twisted relationship, and give an interesting context to the Psycho story.  Was it needed, no, but Farmiga gives one of the best performances of the year, making a so-so show even better with her strong performance. While Highmoore is great as Norman, it's Farmiga and Norma who week after week make this show something of a great character study.

Julianna Marguiles as Alicia Florick in The Good Wife 


After four years not many characters stay relevant, or as fresh as when they started, but Alicia is one of those characters who continues to develop.  While Robert and Michelle King have a lot to do with that development, Alicia would be nothing without Marguiles.  Alicia fighting for partner, dealing with her mother, her growing children, her husband's gubernatorial election, betrayal of a new friend, her love for Will, and striking out on her own in a new firm with Carrie.  What a year!  Marguiles has created one of the most dynamic female characters in television history; she is so complex, and does a fantastic job with this role.  Marguiles is a pro, and she is fantastic as Alicia! 

Tatiana Maslany as Sarah Manning (and many more) in Orphan Black

What can I say about this performance, that critics, bloggers have not said.  Maslany plays Sarah Manning and many girls who are said to be clones.  Maslany kicks ass, is a soccer mom, a cop, and many more roles; she is a true chameleon within each of these of these different roles, none of them feel the same, and that's an incredibly hard accomplishment to achieve.  While the show is solid it's Maslany's performance which keeps you hooked; she takes each of these roles with ease, and looks like is having a blast doing this.  I burned through an entire season of this show because I was enthralled by Maslany, and I can't wait to see what she does with this role, when the show returns.

Kerri Russell as Elizabeth Jennings in The Americans


Watching Russell play the other half of the married couple pretending to US citizens while really being Soviet Spies is impressive.  Russell is incredibly stoic, while being vulnerable as she deals with the trials and tribulations of finding the balance in being a mother and spy.  While Rhys has gotten more credit (I agree during the evolution of the show he is better), Russell battling the thought of her rape, and dealing with this as she approaches the man who took advantage of her was one of the most intense scenes.  Russell is dynamic in this role, proving she can stretch her acting muscle to newer levels.

Kerry Washington as Olivia Pope in Scandal


I know I may get shit for this one because of the "soapy" nature of this show, but Washington is a force to be reckoned with, and after a roller coaster year dealing with her married lover's assassination attempt (yea he is the President too), and being forced to admit her own fault in helping rig the election; she is was off the charts great.  Washington is no victim, and even though most of her emotional choices may be driven by her love for Fitz she is one strong woman, and fights back in some of the most realistic ways.  Washington's performance is real, and that's one of the major reasons people tune into this show week after week!

Runner Ups: Elisabeth Moss as Peggy in Mad Men, and Emmy Rossum as Fiona Gallagher in Shameless

Wednesday, June 5, 2013

Emmy Dream Ballot: Outstanding Writing and Directing in a Drama Series (2012-2013)

The people behind the scenes, putting the words to paper, or their computers, then those who bring the action to life through their vision of the script.  Over this past television series writing and directing within dramatic television series have become even more sophisticated.  Men who, and I stress men because I have not seen any high profile women within this arena, have started to transition from their work in film to the smaller screen more, as writers and directors.

Over the past few years men like Spielberg, and Scorsese have brought things to life on the small screen from mini-series like Band of Brothers, to dramatic series like Boardwalk Empire.  This year there was a one two punch from Beau Willimon (Ides of March) and David Fincher (Seven, The Social Network, Fight Club) with the Netflix original series House of Cards.  Cards, not only put Netflix on the map, but the show upped the ante making the political arena one of the most interesting.  Willimon's creation of Franic Underwood feels as though you are in the intimate reality of DC, and Fincher's direction takes direction of a television series to a whole new level, making this intimate series feel much more large scale, an impressive feat for both men.

Some writing was a bit more controversial, namely television producer/writer Aaron Sorkin who has also made a name for himself in film writing both The Social Network and Moneyball, Network scored him a win, and Moneyball a nomination.  Aaron Sorkin was praised for his television series The West Wing, but his newest creation The Newsroom received mixed reviews.  Newsroom was seen by some as misogynistic, and manipulatively liberal.  While watching this series I could see the critiques having merit, but this show was just too compelling, and Sorkin's writing style is too brilliant to ignore.  Sorkin creates an accurate representation of the real life news world. Even seasoned news anchors like Dan Rather praised the show, for being realistic, that's an impressive affirmation.

Sorkin is not alone in the world of transitioning from television to film seamlessly; he is joined by writer/director Rian Johnson (Looper, Brick).  Johnson made his first foray into television in 2010 directing episodes of Breaking Bad, and Terriers.  Johnson has returned this year to Breaking Bad directing the season finale entitled Fifty-One.  In Fifty-One Johnson creates a sequence mirroring the genius story transition of the film Goodfellas.  Johnson shows his mastery of the show through elegant, but gritty direction, which highlights the show perfectly.  The episode takes television to a higher level raising the the bar for style and substance like no show, proving once again television has become an elevated art form.


Outstanding Writing in a Drama Series
Breaking Bad- Fifty-One-Sam Catlin
The Good Wife-Red Team/Blue Team-Robert King and Michelle King
Homeland-Q&A-Harry Bromell
House of Cards-Chapter One-Beau Willimon
Justified-Decoy-Graham Yost & Chris Provenzana
The Newsroom-5/1-Aaron Sorkin

Outstanding Directing in a Drama Series
Breaking Bad-Fifty-One-Rian Johnson
Dexter-Are You….? -John Dahl
Game of Thrones-The Rains of Castamere-David Nutter
The Good Wife-What’s in the Box? -Robert King
House of Cards-Chapter One-David Fincher
Homeland-Q & A- Leslie Linka Glatter 

Sunday, June 2, 2013

Emmy Dream Ballot: Outstanding Guest Actor and Actress in a Drama Series (2012-2013)

 I decided to separate these categories from the writing and directing this year.  All I can say is that The Good Wife could fill all twelve spots on these lists.  The Good Wife's use of their recurring/guest stars is handled better than any other television series on the air.  Wife seamlessly blends together the guest with their main characters.  Whether you are watching Elsbeth Tascioni (Carrie Preston) a lawyer who often work with Lockhart Gardener, or is sometimes represented by them, or Clarke Hayden as Lockhart Gardener's trustee.  These are just two of the many memorable guest performances from this past television season.

What makes a memorable guest performance?  Hard to say, but these twelve people do a great job, and represent some of the best I have ever seen in these categories.  William Daniels is a person on few people's radar, but as Dr. Craig Thomas a mentor to Christina Yang he made your heart melt as someone Christina finally believed in without sleeping with him.  Game of Thrones has so many moving parts, but Diana Rigg who played Lady Olenna Tyrell stood out as a larger than life character in the few scenes she has had.  While Daniels was on Grey's Anatomy for several episodes, and Rigg has had only a few scenes their impact on the season has been important, and they have made an impressive showing.

Outstanding Guest Actor in a Drama
Jim Beaver-Justified
William Daniels-Grey’s Anatomy
Rupert Friend-Homeland
Nathan Lane-The Good Wife
Ray Romano-Parenthood
Ray Stevenson-Dexter

Outstanding Guest Actress in a Drama
Alison Brie-Mad Men
Jane Fonda-The Newsroom
Margo Martindale-The Americans
Martha Plimpton-The Good Wife
Carrie Preston-The Good Wife
Diana Rigg-Game of Thrones 

Monday, May 27, 2013

Emmy Dream Ballot: Outstanding Supporting Actress in a Drama Series (2012-2013)

One week after the Supporting Actors, it's time for the ladies, and like the men this was a tough category to narrow down, at one point in the year I had 9 or 10 women vying for the topic six spots in this category.  These six women became the no brainers.  Not only are these some of the strongest women on television, but they provide some great layered female characters, which are hard to find!

Christine Baranski as Diane Lockhart in The Good Wife 

Diane navigated the potential break up of her firm, the choice between career and love, and at the end of the day did so with poise.  While everyone loves Kahlinda Diane stole this season making her one of the most valuable pieces to The Good Wife family.  Watching her fight to keep her firm was like watching a parent fight for a child, Diane battled to keep the firm, and made sure that at the end of the day she and Will kept control of their baby.  Diane is the most underrated character on the show, and Baranski plays her like no one else could; she is strong, and one of the most commanding female performers on television.




Jennifer Carpenter as Debra Morgan in Dexter 

Boom, you find out your brother is a serial killer, go!  Carpenter's acting skills have grown throughout the years, and while everyone has paid attention to Michael C. Hall they often have forgotton about Debra.  Watching Debra cope with finding out about the "dark passenger" was one of the most amazing story lines, and Carpenter gave incredible performances week after week.  I think the most heart breaking moment was within the last episode where (spoiler) she killed Laguerta instead of Dexter.  The ramifications of this act are going to be interesting but Carpenter proved that Deb, not Dexter was the most interesting character this season.


Emilia Clarke as Daenerys "Khaleesi" Targaryen in Game of Thrones

Over the years Clarke has grown into her acting much in the same way Lena Headey grew into character in Thrones.  Khlaeesi is the "mother of the dragons"she is becoming a force to reckoned with, and the growth of her character has been chronicled well this season.  As Khaleesi grows Clarke's strong performance is something powerful, and that should be recognized.  In the past this story line, often was my least favorite, but as Clarke's determination and power grow her performance becomes 
impressive time and time again.  I love the way she not only commands her army, but the screen.







Anna Gunn as Skylar White in Breaking Bad 
Skylar may not have spoken much, her grief about the way she and Walt handled themselves and their fake business got the best of her.  I always hated this character, and to be honest I still do, but Skylar's portrayer Gunn has taken this once shrill character and made her layered, and given a new depth to her, which never existed.  Whether its watching her disgust for Walt, in a more subtle manner or empowering herself Skylar is a different women after a year (the time passed in the show).  Gunn has turned in the most spectacular performance this past season, namely because you can't imagine someone working through the complexity of a husband who makes and deals meth.



Kate Mara as Zoe Barnes in House of Cards

House of Cards who be nothing without the foil to Francis Underwood (Kevin Spacey), Ms. Zoe Barnes.  Zoe is young naive, driven, selfish, and I could use many more adjectives to describe this young woman.  At the beginning of Cards Zoe is ready to do and be anything in order to get ahead.  As the season passes by Zoe grows more and more hesitant about the path she has chosen, and the darkness within the political realm which has made into something she never expected.  There are times when you believe Zoe and Frank are cut from the same clothe, but in reality this character is the millenial opposite, biting off more than she can chew.  Mara is fantastic in this role.



Monica Potter as Kristina Braverman in Parenthood 

This was one of the most personal stories told on television this year.  My mother was recently diagnosed with breast cancer, I am glad that diagnosis came after watching Potter's Kristina Braverman go through the experience.  Kristina's cancer story line was one of the driving forces of this season of Parenthood, and one of the most believable journeys of a family to cope with disease.  Potter's performance throughout the season was both beautiful and heartbreaking, I may have cried several times.  Whether you were laughing with her when she got stoned, or crying as she went into septic shock Potter nailed every moment this season.  At the heart of things beyond this story line Kristina is a great mom in the show and together all of these things play out because of Potter.





Runners Up: Abigail Spencer-Rectify, Olivia Munn-The Newsroom, Morena Baccarin-Homeland