Showing posts with label Robert DeNiro. Show all posts
Showing posts with label Robert DeNiro. Show all posts

Monday, July 15, 2013

A Tribute to Great Film: Taxi Driver (1976)

Taxi Driver
Let's get the cliche out of the way, "You talkin' to me.You talkin' to me? You talkin' to me? Then who the hell else are you talkin' to? You talkin' to me? Well I'm the only one here. Who the fuck do you think you're talking to?"  This phrase has not only been uttered in Taxi Driver, but has become one of the most widely reused phrases in other films and television series.  The American Film Institute (AFI) placed this quote at number 10 on their list AFI's 100 years of movies...100 quotes list.  At this point DeNiro had already won an Oscar for The Godfather Part II, but this film put him and director Martin Scorsese on the map, in a big way.

Taxi Driver follows Travis Bickle a war veteran (marines) in a post Vietnam era; he battles the night as he drives people around listening to their problems and seeing the darkness within humanity in New York City.  Bickle is a lonely and depressed man, even with an honorable discharge from Vietnam his thoughts haunt him.  Travis becomes a taxi driver in order to battle his insomnia and dark and depressing thoughts.  Something within this character hits a breaking point, and soon his thoughts become angrier, and the complexity of the character and the world emerges.

This is one of the best films of all time, and there are so many layers to explore within Travis, and the characters within the film, that I could write more than you may want to read.  One of my favorite interaction in the film is between Travis and Senator Charles Palantine who is running for President.  Palantine is a side character who represents the political structure of the time, these men who have ideals running for office in which, but like Travis people often do not know what they stand for, or the major issues of the moment.  Palantine represents the disconnect.  The scene I love is when Palantine happens to end up in Travis' taxi, and Travis explain how he is going to get everyone to vote for him.  Palantine asks as voter what are the major issues on people's minds, what could he do to get more votes.  Bickle talks about his disgust with the crime, and making the dangerous streets go away.  Palantine gives the typical vague answer of a modern day politician, and the violence ensues.

The 1970s provided some of the best films ever, and its mainly because of of their realistic dark tones, which portrayed the darkness within the current societal structure.  Taxi Driver fits within this canon, the darkness of the city life in New York at the time, with violence, drugs, prostitution, corruption. and so on.  The late 1970s also brought to life the dark ramifications for Vietnam veterans, even good men like Bickle who were honorably discharged, returned with what Dexter Morgan deems a "dark passenger" filling their mind with the thoughts of the experiences from war, and coming back to see that even back home evil did not disappear.

The film says so much about society, but it's all just a great film.  This was the film that put Martin Scorsese on the map, I know Mean Streets came first, but this was his first film to get critical and public attention.  Martin Scorsese's career was set in motion because of this film, the dark realistic undertones, mixed with vibrancy of using New York City helped make Taxi Driver this into a masterpiece.  Ironically Scorsese was not nominated for Best Director for this film (a crime), but he and the film did win the Palm d'Ore (Best Picture) at the Cannes Film Festival.

Paul Schraeder who wrote the script, was also ignored by the Academy, but his work on this film created one of the most complex characters and films.  Over the years Schraeder has written many screenplays, including Raging Bull, American Gigiolo, and Affliction, but has never received an Oscar nomination.  With that said Schraeder's work on this film did a great job laying the ground work for the team of Scorsese and DeNiro to bring Travis Bickle to life.

The performances in this film, even the brief ones, are so great and complex, but nothing compares to DeNiro.  DeNiro is Travis Bickle, this man who as as Betsy (Cybil Shepherd) stated full of complexities.  Bickle is out of the loop, he doesn't know not to take a woman on a date to an adult move theatre or about music.  There is an innocence to this dark man, or an innocence he is striving toward.  DeNiro transformation throughout the film, and his evolution with his character is some of the most brilliant acting I have seen on screen.  DeNiro may not have been the first person who transformed to fit the role, but he made that method a part of character development within film, effecting film and its development in a powerful way.

While this film certainly centers on DeNiro's character, the other players within the film are also terrific.  Jodie Foster is the best supporting performance; she is great a young prostitute, she probably should have won the Supporting Actress Oscar, this was her first Oscar nomination, and deserved.   Peter Boyle plays the older and wiser driver named Wizard, then is Cybil Shepherd as Betsy, Albert Brooks, and Harvey Keitel.

At the end of the day Taxi Driver was a progressive film,  from one of the greatest film makers of all time, Scorsese.  People were not ready for raw honesty of this film, especially the Academy, it only received four nominations including Picture, Actor, Supporting Actress, and one for it's Score, one of the most memorable scores ever in a film.  Taxi Driver is one of the best films ever made from the the editing, the cinematography,  this film has all the right pieces in place.  The late, great Roger Ebert was the biggest champion of this film during its release stating "Every time I see it, it works; I am drawn into Travis' underworld of alienation, loneliness, haplessness and anger."  Taxi Driver is about being alone, and the ultimate angry and betrayal, which comes from this state, what a fantastic film.


Tuesday, November 27, 2012

Moonrise Kingdom and Silver Linings Playbook Lead the Nomination totals with the Independent Spirit Awards


Both Moonrise Kingdom, and Silver Linings Playbook both have five nominations a piece, including Best Feature.  While the Independent Spirit Awards (ISA) rarely mean anything to the Academy Awards the the films with the most nominations usually get a nomination or two. 
Silver Linings Playbook was already a sure bet for a handful of Oscar nominations including Best Picture, and Lead Actress.  One interesting omission is Robert DeNiro, this could happen come nomination morning for the Oscars as well, depending on how the acting branch feel about the film.
Moonrise Kingdom leading the nominations, and winning Best Picture at the Gotham Awards helps add to its visibility.  The film did well at the box office, proving this could be in for a Best Picture nomination.  Moonrise Kingdom is a look for the Original Screenplay Oscar.  I am over the moon (pun intended) for Bruce Willis's nomination in the Supporting Actor category, I would love to see him grab some attention, which could happen at the Globes.
Here is the full list of the nominees: 
BEST FEATURE 
"Beasts of the Southern Wild"
"Bernie"
"Keep the Lights On"
"Moonrise Kingdom"
"Silver Linings Playbook"
BEST DIRECTOR
Wes Anderson, "Moonrise Kingdom"
Julia Loktev, "The Loneliest Planet"
David O. Russell, "Silver Linings Playbook"
Ira Sachs, "Keep the LIghts On"
Martin McDonagh, "Seven Psychopaths"
BEST FEMALE LEAD
Linda Cardellini, "Return"
Emayatzy Corinealdi, "Middle of Nowhere"
Jennifer Lawrence, "Silver LInings Playbook"
Quvenzhane Wallis, "Beasts of the Southern Wild"
Mary Elizabeth Winstead, "Smashed"
BEST MALE LEAD
Jack Black, "Bernie"
Bradley Cooper, "Silver Linings Playbook"
John Hawkes, "The Sessions"
Thur Lindhardt, "Keep the Lights On"
Matthew McConaughey, "Killer Joe"
Wendell Pierce, "Four"
BEST SUPPORTING FEMALE
Rosemarie Dewitt, "Your Sister's Sister"
Ann Dowd, "Compliance"
Helen Hunt, "The Sessions"
Brit Marling, "The Sound of My Voice"
Lorraine Toussaint, "The Middle of Nowhere"
BEST SUPPORTING MALE
Matthew McConaughey, "Magic Mike"
David Oyelowo, "Middle of Nowhere"
Sam Rockwell, "Seven Psychopaths"
Bruce Willis, "Moonrise Kingdom"
Michael Pena, "End of Watch"
BEST SCREENPLAY
Wes Anderson, Roman Coppola, "Moonrise Kingdom"
Zoe Kazan, "Ruby Sparks"
Martin McDonagh, "Seven Psychopaths"
David O. Russell, "Silver Linings Playbook"
Ira Sachs, Mauricio Zacharias, "Keep the Lights On"
BEST CINEMATOGRAPHY
Yoni Brook, "Valley of Saints"
Lol Crowley, "Here"
Ben Richardson, "Beasts of the Southern Wild"
Roman Vasyanov, "End of Watch"
Robert Yeoman, "Moonrise Kingdom"
BEST FIRST FEATURE 
"Fill the Void"
"Gimme the Loot"
"Safety Not Guaranteed"
"Sound of My Voice"
"The Perks of Being a Wallflower"
BEST FIRST SCREENPLAY
Rama Burshtein, "Fill the Void"
Derek Connolly, "Safety Not Guaranteed"
Christopher Ford, "Robot & Frank"
Rashida Jones, Will McCormack, "Celeste and Jesse Forever"
Jonathan Lisecki, "Gayby"
JOHN CASSAVETES AWARD (best feature under $500,000)
"Breakfast with Curtis"
"Middle of Nowhere"
"Mosquita y Mari"
"Starlet"
"The Color Wheel"
BEST DOCUMENTARY 
"How to Survive a Plague"
"Marina Abramovic: The Artist is Present"
"The Central Park Five"
"The Invisible War"
"The Waiting Room"
BEST INTERNATIONAL FILM
"Amour"
"Once Upon a Time in Anatolia"
"Rust and Bone"
"Sister"
"War Witch"

Saturday, November 17, 2012

Silver Linings Playbook is a Darker Love Story, Headlined by Strong Performances

Silver Linings Playbook (4 out of 5 Stars)
Directed and Written by  David O'Russell (The Fighter, Three Kings, I Heart Huckabees)
Starring:Bradley Cooper, Jennfier Lawrence, Jacki Weaver, and Robert DeNiro

Silver Linings Playbook Movie
David O. Russell's last film The Fighter was a true testament to his versatility.  The film was a little more of a by the book story that lacked the dark sense of humor present in his other films, Three Kings, Flirting with Disaster and I Heart Huckabees.  Silver Linings Playbook has blended together these two different styles.  Based on the novel with the same name by Matthew Quick, O'Russell creates a story that is both sad and touching.

The film starts with Pat Solitano (Bradley Cooper) being picked up by his mother Dolores Solitano (Jacki Weaver) from a state institution after he spent 8 months there on a plea bargain.  Pat goes back home to live with his mother and father Pat Solitano Sr. (Rober DeNiro) in Philadelphia.  As soon as Pat gets back to Philadelphia he begs his mother to take him to the library so he can pick up the books from Nikki's syllabus.  Nikki was Pat's wife, and during their marriage Nikki was found cheating on Pat with a fellow teacher.  Pat snapped and beat the guy up pretty bad, and after his time in the treatment facility he has to deal with his own undiagnosed bi-polar disorder.  

Pat feels triggers through songs, books, and interactions with his friends and their families.  As Pat tries to fight his way to re-connecting with Nikki, he ends up meeting Tiffany (Jennifer Lawrence).  Tiffany is a young widow whose husband was killed, and through her grief she has started to like Pat openly speak her mind, but also use her body and sex to cope with her own depression.  Together these two start to form an unconventional bond that may just bring out the best in them both.

The films fleshes out the characters well, and has helped to focus O'Russell's development within his career as a writer/director.  O'Russell's screenplay is spot on in the way he adapts Quick's work; he boils down the story to get at the true emotion.  While I was never a huge fan of the The Fighter, O'Russell conveyed the same skills within his screenplay for that film.  O'Russell channelled an honest representation of the way in which people cope with their own grief/mental instability, while infusing some genuine humor.  

As you watch both of the leads of screen you realize you are watching fully formed performances that evolve throughout the film.  Bradley Cooper was the given the role of his career (so far) with Pat Solitano, and he did not disappoint.  Cooper has often played that dick best friend, or just that dick in films like The Hangover, or Wedding Crashers.  While his character is not well mannered in social mores, Cooper brilliantly tackles the struggle of Pat and the way he has to fight to stay above water in order to find happiness.

Most of the happiness is due to Tiffany played impeccably by Jennfer Lawrence.  Lawrence has wowed in numerous roles like The Hunger Games, and even scored Lead Actress nomination for her work in Winter's Bone, but this is a one of a kind performance.  Lawrence is sexy, raw, and her emotional journey happens as she finds solace in Cooper's character.  Lawrence is one of the best younger actresses working today, and she nails all the intricate levels of this role.

Along with two great lead performances, O'Russell seems to use his supporting cast well, even if they are not the big named stars.  DeNiro is funny and heart wrenching as Pat Sr..  Throughout the film you get to see the similarities between both Cooper and DeNiro's characters.  DeNiro's obsession with superstition, the Eagles, while maintaining a love for his wife.  DeNiro has not had a strong performance like this in many years, but as you get to watch his evolution his blind compassionate love for his son you get a a great glimpse into who Pat Sr.  DeNiro is the shining light of the supporting cast, but people like Weaver, and Chris tucker who plays Pat's friend from the state institution help add heart to this film.

Silver Linings Playbook does not reinvent the wheel, but the script along with the acting give way to one of the most honest films about the psychology of moving forward in spite of mental illness.  There is a raw honest in the script, and in many of the performances.  While there is a darker tone the end message is that when all has gone wrong or you think you have hit rock bottom you have to look for "silver lining."