Disney's Animated Characters, Nostalgia Drives the Creation of Live Action CGI Film and Television

A long time ago, well maybe 25 years ago I remember my friends and I scooping up, and competing for who had the most Disney movies on VHS.  They were a part of my childhood, I was brought up during the era of The Little Mermaid, Beauty and the Beast, Aladdin, and The Lion King.  This era was known as the Michael Eisner/Jeffrey Katzenberg era, when Disney's animation came out of a depressed time to dominate once again.  Katzenberg knew the power Walt Disney had, and wanted to bring the classic nature of Disney animation back, and he did.

Jump to 2010, and the live action CGI version of Alice in Wonderland (2010) is released.  The film was a mess, but audiences showed up in droves all around the world.  Alice in Wonderland (2010) was the second highest grossing domestic film of the year making 334 million dollars.  Allice doubled her fun in the foreign markets making 691 million, for a combined gross of just over 1 billion dollars.  Pretty amazing.

Just a little over a year later ABC, which is owned by Disney created the television series Once Upon a Time, which uses characters from Disney animated films like Snow White, Ariel, Peter Pan, and many wicked counter parts to bring to life more childhood memories for people in a live action CGI manner.  The show is currently in its third season, and has spin-off which was released this September entitled Once Upon a Time in Wonderland.  The original Once is its in third season.

Universal jumped on board creating Snow White and the Huntsman in 2012, focusing on the connection between Snow, and the man who was supposed to kill her.  In that same year 20th Century FOX released Mirror Mirror with a focus on the relationship between Snow and the Wicked has seemed to put a lot of focus onto Snow and her relationship with the Wicked Queen with a more humorous twist. Both films missed the mark creatively, although Huntsman was much better thanks in large part to Charlize Theron, and was more successful at the box office. Huntsman was an action packed blockbuster, which made 155 million domestic, and 241 million foreign, the film also has a sequel in the works.  Even with Julia Roberts Mirror Mirror could not find its footing in the domestic box office, it only made 64 million, and 101 million in foreign markets.

Walt Disney Pictures is back in the game, and they adeptly picked the focus of the title of their next live action action rebirth to be Maleficent from Sleeping Beauty.  With the trailers release today, there is hope that Angelina Jolie can bring the dark fun she typically brings to roles, and make some more money for the "Mouse House."

These movies, and television shows all come back to nostalgia, bringing this current millennial target demographic their favorite things from their childhood.  A big part of that childhood was animated Disney films ranging from the classic Snow White to the more recent Lion King.  Todrick Hall who started out on American has even been tailoring many of his fantastic videos around these classic Disney characters, see his recent rendition of an adaptation of the "Cell Block Tango" which he adapted to the "Spell Block Tango" (see video below). Nostalgia is a driving force, and not only brings back the fond memories of childhood, but helps connect generations within different forms of new media.

Academy Award Week (2013): Costume Design, Telling a Story

Over the years at the Academy Awards one of my favorite and most under appreciated categories is Costume Design.  The costumes tell a story, and help make some of the best visual representation on screen.

If you think about the many years of film there are numerous iconic costumes, which have become unforgettable. All the way back to 1939 you have Scarlet O'Hara's numerous dresses including her curtain dress, to Dorothy's plaid dress to costuming people in a galaxy far far away in Star Wars, all the way to Miranda Priestly's many outfits and jackets she threw on Andrea's desk.  Film costumes throughout time have evolved fitting the need of their film, and defined a viewer's experience.

Scott Feinberg at The Hollywood Reporter (THR) put together a great piece talking with their fashion consultant at THR about this year's costumes.  One of my favorite comments that was made was that films that do not fit within the fantasy or period piece realm are often not recognized at the Academy Awards.  A couple examples which were cited even citing some period film which were ignored this year were Moonrise Kingdom, Argo, and Skyfall.  Skyfall is the perfect example, look at those fantastic suits, and the dresses of the Bond girls.  These films told a story through the clothes on the screen, and while many take them for granted they are one of the most important elements of a film.

If you look at past years think of films like Devil Wears Prada, and their great costumes.  Prada was competing against the power house period costumes from Marie Antoinette. Period films from much older eras, and fantasy films often dominate these categories.  If you look at the last 10 years of Costume Design nominees 98 percent of the nominees fit within this category.  Even looking at this year the fantastic costumes the nominees completely within this trend.  The major question is will the Academy break from this and realize the role in which non-traditional costume design plays within a film, or will they keep up with the same pattern?

Anna Karenina-Jaqueline Durran

Les Miserables-Paco Delgado

Lincoln-Joanna Johnston

Mirror Mirror-Eika Ishioka

Snow White and the Huntsman-Colleen Atwood

Of all the nominees the favorite is Anna Karenina, Jacquline Durran's works is flawless and based on the pictures above as a representation of of the costumes as characters it is the easy favorite to win this trophy.   Durran should have won this award for her work in Atonement, but was beat by another period film Elizabeth: The Golden Age. If any film were to challenge Karenina I would like that to be Mirrror Mirror, the costumes elevated this film beyond any level.  Eika Ishioka passed away before Mirror Mirror was even released and she did not get to see see her fantastic work hit the screen.  Colleen Atwood is the veteran in this category; she has nine nominations and three wins, and while her work is solid she will not be making it up to the podium this year.

Will Win: Anna Karenina
Spoiler: Mirror Mirror