Showing posts with label Pippin. Show all posts
Showing posts with label Pippin. Show all posts

Wednesday, June 12, 2013

Tony Awards Celebrate Diversity in Art...Why Don't Other Mediums?

I was away this past weekend celebrating Philadelphia Pride (a post to come), and missed the Tony Awards Sunday night, but caught up watching them on Monday evening.  I honestly loved watching them a day later so I could fast forward through the commercials.  A couple of notes before I start, Neil Patrick Harris should host everything; he is one of the best hosts I have ever seen.  The number about the Broadway stars on failed television shows, priceless.  On to the main event, the awards.

As I was watching, the first award was Featured Actor in a Play, and the award went to Courtney B. Vance from "Lucky Guy." As the night went on both Director Categories were announced Daine Paulas won for "Pippin", and then surprisingly Pam MacKinnon won for "Who's Afraid of Virginia Woolf?"  As the night went on the lead actor and actress in both the musical and play category were announced and the winners were as follows: Billy Porter in "Kinky Boots," Patina Miller in "Pippin" and Cicely Tyson for "Trip to the Bountiful."  Cyndi Lauper was also another big winner for Best Original Score-"Kinky Boots."

There is obviously a pattern I am highlighting with the winners of these high profile awards, the winners were either women, black or African American men, or black or African American women.  If you look at most major award shows the winners are often white washed, or women only win in categories designed for them to win.  Here three women won in major categories they do not often win at at the Tony Awards or in any other major award show.

Best Direction in a Play: Pam MacKinnon is only the fifth woman to win in this category, previously women have won for directing are Vivian Matalon for Morning's at Seven (1980), Mary Zimmerman for Metamorphosis (2002), Anna D. Shapiro for August Osage County (2008), and  Marianne Elliot (co-directing win) for War Horse (2011).

Best Direction in a Musical: Diane Paulas is only the third female to win this award at the Tony's.  The first winner was Julie Taymor for The Lion King (1998) and Susan Stroman for The Producers (2001).

So overall only eight women have won directing trophies at the Tony Awards, but that is better than the Emmy Awards with two directing winners in the drama categories one directing winner in the comedy category, one directing winner in the miniseries, movie, or dramatic special.  The Emmy Awards have several other directing categories, but you get the picture. The Oscars have also only had one directing winner, Kathryn Bigelow for The Hurt Locker.  While eight is not a great number the Tony Awards seem ready to honor females in these roles more so then other award shows, or

Best Original Score is another category with few women at the Tony Awards, Lauper is only the third women, there have only been two in the 85 years of Oscar history, and they only happened in collaboration  or when the category was split.

If you look at all of these categories at most award shows, this is a man's world, but this year the Tony Awards proved they appreciate talent on all levels, showing recognition for the best work, and honoring women in the same breadth.  In looking at the nominees and winners theatre is proving that behind the scenes women can be just as influential as men.  With more women directing, and composing things are only improving.

On the acting front, I have never seen 4 winners of color at any award show, the Emmy Awards have been abysmal at this, meanwhile the Oscars are only slightly better.  This is not about the wins, but the amount of work out their for people of color in the theatre within the last decade musicals and plays like Motown, Nashville, In the Heights, Fela, Trip to the Bountiful, Cat on a Hot Tin Roof, Fences, Bring it On the Musical, The Lion King, and many many more have shown that Broadway creates quality work for diverse people.

Over the years every medium has improved some, more women are visible directors, although none were nominated last year at the Oscars.  Many women are executive producers/creators of shows, but if they were not Tina Fey they did not get a nomination.  Films about people of color often involve a white person saving them, they or they are servants.  On the other hand theatre has/was created by the outsider, and I feel as though  this is why there is more representation on the stage, and behind the scenes.  Bottom line, theatre is advancing, and it's time for film and television to get there!

Tuesday, April 30, 2013

Kinky Boots (13 nominations) and Matilda (12 nominations) Lead the Tony Award Nominations

In what could be described as a bit of a lackluster year, no musicals or plays making too much of a tremendous splash, there is still some which step out, and have become seen as the best of the year.  In the musical category the two stand out (new) musicals of the season were Matilda, and Kinky Boots.  Both will probably do well, considering the weaker revival line-up with Pippin and surprisingly Roger's and Hammerstein's Cinderella getting the most in the revival category.  Annie was expected to get more, but only scored one nomination.  From what I have seen, and heard of the shows I would like to see Kinky Boots, and Pippin win.

Tom Hanks is on his way to that EGOT; he has the E, and the O, and I think this is where he adds the T.  Hanks is starring in the play Lucky Guy, which received the most nominations for a new play, along with Vanya and Sonia and Masha and Spike.  These two are the front runners for this prize.  I would love to see Lucky Guy win as a tribute to the great work of the late Nora Ephron.  Golden Boy leads the nominations in the revival category with 8, but look out for Virginia Woolf, this revival is the one to beat!

So obviously the next question is who was snubbed?  Sigourney Weaver was the biggest snub of the day in my book, I was shocked not to hear her name called.  Motown: The Musical, also missed out, and after a last minute box office surge right before the Tony Awards.  I swore it would have knocked out Bring it On or A Christmas Story, but Motown lost out to these two.  The curse of Macbeth continues, Alan Cumming was snubbed.  Annie only receiving one one nomination was also very surprising, and no Anthony Warlow too.

Best Play
The Assembled Parties
Lucky Guy
The Testament of Mary
Vanya and Sonia and Masha and Spike

Best Revival of a Play
Golden Boy

Orphans
The Trip to the Bountiful
Who's Afraid of Virginia Woolf?

Best Musical 
Bring it On: The Musical
A Christmas Story
Kinky Boots
Matilda 

Best Revival of a Musical 
Annie
Pippin
The Myster of Edwin Drood
Rodgers + Hammerstein’s Cinderella

Best Actor in a Play 
Tom Hanks, Lucky Guy
Nathan Lane, The Nance
Tracy Letts, Who’s Afraid of Virginia Woolf?
David Hyde Pierce, Vanya and Sonia and Masha and Spike
Tom Sturridge, Orphans


Best Actress in a Play 
Laurie Metcalf, The Other Place
Amy Morton, Who’s Afraid of Virginia Woolf?
Kristine Nielsen, Vanya and Sonia and Masha and Spike
Holland Taylor, Ann
Cicely Tyson, The Trip to Bountiful


Best Featured Actor in a Play 
Danny Burstein, Golden Boy
Richard Kind, The Big Knife
Billy Magnussen, Vanya and Sonia and Masha and Spike
Tony Shalhoub, Golden Boy
Courtney B. Vance, Lucky Guy


Best Featured Actress in a Play 
Carrie Coon, Who’s Afraid of Virginia Woolf?
Shalita Grant, Vanya and Sonia and Masha and Spike
Judith Ivey, The Heiress
Judith Light, The Assembled Parties
Condola Rashad, The Trip to Bountiful


Best Actor in a Musical 
Bertie Carvel, Matilda The Musical
Santino Fontana, Rodgers + Hammerstein’s Cinderella
Rob McClure, Chaplin
Billy Porter, Kinky Boots
Stark Sands, Kinky Boots


Best Actress in a Musical 
Stephanie J. Block, The Mystery of Edwin Drood
Carolee Carmello, Scandalous
Valisia LeKae, Motown The Musical
Patina Miller, Pippin
Laura Osnes, Rodgers + Hammerstein’s Cinderella


Best Featured Actor in a Musical 
Charl Brown, Motown The Musical
Keith Carradine, Hands on a Hardbody
Will Chase, The Mystery of Edwin Drood
Gabriel Ebert, Matilda The Musical
Terrence Mann, Pippin


Best Featured Actress in a Musical 
Annaleigh Ashford, Kinky Boots
Victoria Clark, Rodgers + Hammerstein’s Cinderella
Andrea Martin, Pippin
Keala Settle, Hands on a Hardbody
Lauren Ward, Matilda The Musical


Best Direction of a Play 
Pam MacKinnon, Who’s Afraid of Virginia Woolf?
Nicholas Martin, Vanya and Sonia and Masha and Spike
Bartlett Sher, Golden Boy
George C. Wolfe, Lucky Guy


Best Direction of a Musical 
Scott Ellis, The Mystery of Edwin Drood
Jerry Mitchell, Kinky Boots
Diane Paulus, Pippin
Matthew Warchus, Matilda The Musical


Best Original Score (Music and/or Lyrics) Written for Theatre

A Christmas Story, The MusicalMusic and Lyrics: Benj Pasek and Justin Paul
Hands on a HardbodyMusic: Trey Anastasio and Amanda Green
Lyrics: Amanda Green
Kinky BootsMusic & Lyrics: Cyndi Lauper
Matilda The MusicalMusic & Lyrics: Tim Minchin
Best Book of a Musical 
A Christmas Story, The MusicalJoseph Robinette
Kinky BootsHarvey Fierstein
Matilda The MusicalDennis Kelly
Rodgers + Hammerstein’s CinderellaDouglas Carter Beane



Full nomination tally:
“Kinky Boots” – 13
“Matilda The Musical” – 12
“Pippin” – 10
“Rodgers + Hammerstein’s Cinderella” – 9
“Golden Boy” – 8
“Lucky Guy” – 6
“Vanya and Sonia and Masha and Spike” – 6
“The Mystery of Edwin Drood” – 5
“The Nance” – 5
“Who’s Afraid of Virginia Woolf?” – 5
“Motown The Musical” – 4
“The Trip to Bountiful” – 4
“The Assembled Parties” – 3
“A Christmas Story, The Musical” – 3
“Hands on a Hardbody” – 3
“The Testament of Mary”- 3
“Bring It On: The Musical” – 2
“The Heiress” – 2
“Orphans “- 2
“Ann” – 1
“Annie” – 1
“The Big Knife” – 1
“Chaplin” – 1
“Cyrano de Bergerac” – 1
“The Other Place” – 1
“Scandalous” – 1