Showing posts with label Frankenweenie. Show all posts
Showing posts with label Frankenweenie. Show all posts

Sunday, March 10, 2013

Memo to the Academy: Think Outside the Box in the Animated Category

In 2001 the Academy Awards added the Best Animated Feature category.  The category was added namely because over the years there have been numerous animated films which have been snubbed in the Best Picture race.  Prior to the addition of more nominees in the Best Picture race, and this category existing only one film was nominated in the Best Picture category, Beauty and the Beast.

In the inaugural year of this category there were three nominees, Shrek, Monsters Inc., Jimmy Neutron: Boy Genius.  Both Shrek and Monsters Inc., were two of the highest grossing films of the year, and they were also two of the best films of the the year.  Within this category these two fought it out very competitively and either could have won the Oscar for Best Animated Feature Film.  Both films could have been Best Picture contenders, but animated films have not been taken seriously until they added more nominees (Toy Story 3, and Up), but I am not going to go on a tangent about this topic.  Shrek and Monsters Inc, set the archetype for the films which have won this category.

While Shrek seems "typical" it was also the start of the anti fairy tale or a film which took traditional characters and challenged the past concepts within animated features.  Shrek has the ogre not a prince as the hero, the princess is also an ogre, and the noble stead is a donkey. While many would argue this formula is a bit predictable, I argue that it breaks the norm, and beating out the Disney/Pixar juggernaut is a feat rarely accomplished.

Monsters Inc., while good, not great (in my opinion) represents that traditional Pixar machine.  Now mind you I think most Pixar films are some of the best made in the last almost 20 years, and they have paved the way for animation to be taken more seriously.  Films like the Toy Story trilogy, The Incredibles, Up, and of course Wall-E.

Wall-E is the most unique Pixar film, without straying away from their traditional ideals.  Wall-E should have been a Best Picture nominee, and won the award in 2008.  Wall-E did win the Best Animated Feature Film prize deservedly beating out the much weaker Bolt, and Kung Fu Panda.  The latter two films fall in line with the more traditional or old school ways of the animated feature, they are more by the book style wise.  Many of the films nominated within this category fit the mold, but every so often the Academy does something right, and picks nominees/winners that are not "typical."

Even though it was only one year after the creation of this category, the Academy went for their first "atypical" winner Spirited Away. Spirited is in the vein of more traditional anime and comes from the genius mind of Hayao Miyazaki.  This is potentially one of the most deserved wins in this category, and while it was somewhat expected there was no true history yet within this category to help prove who had the best odds.  Spirted was up against Ice Age, Lilo and Stitch, Treasure Planet, and Spirit: Stallion of the Cimarron.

2005 was the first year with three completely quirky nominees, and winner.  The nominees were Wallace & Gromit: The Curse of the Were-Rabbit (winner), Corpse Bride, and How's Moving Castle.  None of the nominees were Pixar or Disney related and none were made by American film makers.  Quite an interesting array of nominees proving this can be an incredible category.

2011 had a few interesting and less predictable nominees with Chico and Rita, and A Cat in Paris, boxing out Cars 2 (thank goodness).  The winner Rango while predicted was also not a typical animated film, sure it has many prevailing themes, but the story is a bit out there with ugly animals.  Shutting out a Pixar was a bold move, and proved that Academy would not rubber stamp any Pixar film as a nominee, but they reverted back to their old ways this year, and that's where this memo comes from.

This year animated films were a bit off beat, and the best films were not the top grossing at the box office.  Of the five nominees two were successful at the box office, Brave and Wreck-It Ralph.  The other three nominees were ParaNorman, Frankenweenie, and The Pirates! Band of Misfits.  The latter three all made less than 60 million never truly catching on with popularity.  While they not have been the most popular ParaNorman, and Frankenweenie along with Wreck-It Ralph were all far superior to Brave.  Brave is by the book, and fits some of the most basic formulas within the animated genre.

This category has pioneered the way people look at animated film, pushed boundaries, and shown that animated feature films can be some of the best films out there.  While Brave was not a bad film picking Brave is could be a sign that this category has lost its spunk.  While this is only one flawed win, the category held so much originality and potential.  No disresepct to the makers of Brave because the film broke boundaries and was the first movie where the princess does not conform to the norms, and the first win by a female director in this category, two huge landmarks.  Yet going to beyond those points the Academy needs to assess quality, and Brave's win sets this category back.

Is Brave winning an Oscar the worst thing to happen, No, but were there better options, yes!  After the dust from the Oscars has settled its time to evaluate this category, the nominees, and the winners.  Was this a one year fluke, or will this signal a pattern of populist voting.  Only time will tell but in the words of Brave's heroine "if you had the chance to change your fate, would ya?"

Monday, October 1, 2012

October Movies to See and to Skip

This may be one of a very small number of posts for the week.  I am on vacation, and have limited access to a computer.  I had to give my loyal readers their score card for this week's October movies to see and skip.

Although we need to take a brief look back in time at September's movies.  September was another slow month at the box office, but some of the smaller films, in limited release, worked their magic both financially and at pleasing audiences.  There were also the disappointments with films like The Words, Trouble with the Curve, Won't Back Down, these maudlin dramas just don not work when you force it. Studios need to realize that there is no middle ground in regard to quality or box office receipts anymore.

On the other hand the genre films do decently at the box office, for example sci-fi, horror, and animated seem to be the most bankable in the slow months.  Hotel Transylvania, which somehow escaped my list from last month set September records making 41 million, animated films do well in these slow times.  Resident Evil and Looper helped out the sci-fi genre, while they did not have amazing numbers they did well for September, and Looper was a hit with critics.  A House at the End of the Street scarred away the critics, but the film pulled in decent numbers, enough to prove Jennifer Lawrence is an it girl.

The name of the game recently for a variety of films was using the limited release to help build up an audience.  Films like The Master open in limited release because they come from small companies and are harder to market to larger audiences.  The film has done well.  The Perks of Being a Wallflower, and Pitch Perfect did this also.  Each film doing well enough, but the question is will they survive? And will October get better?  The answer is an emphatic yes, October is going to start strong!


October 5th 
Taken 2
Frankenweenie
Pitch Perfect 
The Paperboy (limited)

What an opening weekend!  While the original Taken was a solid film, this sequel looks just simple bad.  Taken 2 will however make a lot of money at the box office.  I would wait for DVD.  Frankenweenie is going comes from the mind of Tim Burton, and while this has a weird premise it's being released in the perfect month, and will draw in families like Hotel Transylvania did.  Pitch Perfect did well at the box office in limited release last week, and people are just excited to see more "Fat Amy" this will perform well.  Who wouldn't want to watch Lee Daniels follow-up to Precious where Zac Effron and Nicole Kidman get into water sports....this film was booed at Cannes, can they get anyone to see it? Probably not.  Althought the trailer looks solid.



October 12th
Argo
Sinister
Seven Psychopaths
Here Comes the Boom

Argo is a surefire Best Picture contender, and I think has the potential to be the actual winner.  Ben Affleck has been building his directorial career much like Robert Redford did.  This film has gotten thunderous applause from critics, now will audiences show up?  I think based on this weekend the film will perform well.  Sinister and Seven Psychopaths will not perform well.  Look for the charm from Kevin James in Here Comes the Boom to surprise, but only if the marketing gets better, and quick.



October 19th
Alex Cross
The Sessions
Paranormal Activity 4

Paranormal Activity always owns their weekend, and putting it close enough to Halloween yearly will help once again.  This puts Tyler Perry's version of Alex Cross in the cross fires.  Perry is a poor choice for this role, and I am a little disappointed in the casting.  This film could be good, but I predict failure.  The Sessions is another Oscar hopeful, and people will eat up this film as it gets released in limited release.



October 26th 
Cloud Atlas
Silent Hill Revelation 3D

Both films have the potential to be pretty solid.  Cloud Atlas looks visually stunning, but will the Wachowski's loose the substance for style.  I think this is going to be a mixed bag, and something you will have to see for yourself.  The first Silent Hill was solid, this one looks subpar.  




Must See-Pitch Perfect, Argo, The Sessions, Frankenweenie
Skip: Taken 2, Here Comes the Boom, Sinister, Silent Hill