Don Jon is Both Incredibly Funny, and an Insightful Look at Modern Masculinity

Don Jon (4 out of 5 Stars)

Directed and Written by: Joseph Gordon-Levitt

Starring: Joseph Gordon-Levitt, Scarlett Johansson, Julianne Moore, Glenne Headly, and Tony Danza

Who is the modern don?  The original legend of the Spanish Don Juan states that this man devoted his life to seducing a variety of women; he also was saddled with the vices of the times like gambling, and violence.  As time has evolved "the don juan" type has of course changed with society.  This film is aptly named with a translation to Don Jon describing a modern day understanding of heteronormative masculinity within America.

Jon (Gordon-Levitt) states there are "only has a few things I care about in life, my body, my pad, my ride, my family, my church, my boys, my girls, my porn."  Jon is a modern day Don Juan, but is built that way based on nurture from his family his mother Angela (Headly) and his father Jon Sr. (Danza), but mainly from society.  Jon is ladies man whose streak is that every weekend he beds a different girl, but even while bedding these different women he sneaks out of bed to view his greatest love porn.  Jon meets Barbara (Johansson) one night out at a club, and she rebuffs his straight o bed moves, this challenges Jon to think outside of the box, and change his style.

In his first feature film as a director/writer Gordon-Levitt does something great; he creates a genuinely funny film with an interesting point of view on modern masculinity.  Jon is selfish, but aren't we all to some extent.  As a society we have been groomed throughout the years especially throughout the 80s and with this "me me me" generation to put our own needs above those of others.  Jon views porn as the most satisfying sexual experience because he can lose himself within this world and feel satisfied at the end of the experience.  On the other hand after during his other real life sexual experience Jon is never fully satisfied because the women never fulfill every need like within the porn he watches.

The mass consumption of porn is jading young males today, and creating a false reality about sexuality, thus confusing the role of intimacy.  The statistics of porn distribution and usage are too varied to detail but the few I found interesting from the BYU Women's Services and Resources states that the US makes up 12 billion dollars of 57 billion dollar global porn industry.  The statistics also show that revenue is higher than that of ABC, NBC, and CBS combined, thus entertaining more people than the three basic cable networks, astonishing.  Statistics also show that the modern male consumes porn at alarmingly high rates.

Back to Jon, why does he watch this porn?  The film even comments on his good looks, and the fact that he has a girl friend through his night school classmate Esther (Moore).  There is never a true explanation of why, but the proof is in the pudding it's an escape, and contributes the mentality, and his own immaturity, and lack of understanding what it means to be truly intimate with a real person.  Esther's character while an annoyance to Jon at first helps him to explore himself more, and find more depth to him than just those basic values he lists at the beginning of the film.

Gordon-Levitt constructs a film which shows the shallow and simplistic nature of Jon's character through highlighting the basic routines of the characters day to day activity.  Lauren Zuckerman does a brilliant job editing the imagery of the porn, the day to day routines highlighting both mindset and the role with which these daily activities drive Jon's life.  As Jon learns more about himself, and explores things on a deeper level you see him outside of the normal world with which he lives, you see larger landscapes, different spaces; he is no longer merely just a slut who devours women and porn, but explores his friendships, the city with which he lives, and sees new things in his sister, who his played with brief hilarity by Brie Larson.

Gordon-Levitt does a great with this film, and I give him credit for taking on this film, and creating a deeper more meaningful film about self exploration.  Do not let my serious talk fool you either this film is truly funny, and the scripts shines making you laugh just as hard as you explore the psycho social actions of heterosexual male behavior.  

September Movies to See and Skip!

For movies, August is like you unbuttoning your pants after  a big overstuffed Thanksgiving dinner.  The studios have crammed so much into May, June, and July, that August becomes the grave yard where massive films can't succeed.  With no block buster capitalizing on this month, two films have taken over the month, We're the Millers, and Lee Daniels' The Butler.  The funny thing about both of these movies succeeding is because they are being carried by a woman (Jennifer Anniston) and black actors in The Butler.

Anniston is probably one of the less interesting leading ladies working, but she is one of the more bankable in films like this because she has talent, sex appeal, and women love her.  Women can carry film do not be afraid Hollywood.

Hollywood also is letting more people than Tyler Perry frame stories about black/African Americans in film, and thank goodness.  Ryan Coogler, Steve McQueen, and of course Lee Daniels all have films this year, which tell such interesting stories.  This is a great market, and Hollywood has always avoided reaching out, they would rather white wash their films, but The Butlers' success is proof that films like this can succeed. On to September, and the build up to the more exciting October.

September 6th 

If you were thinking September would start strong, you were wrong, Riddick is one of those films that just couldnt make it into "summer block buster time."  Pitch Black was good they should have stopped there.  Diesel is not a star its the Fast and Furious movies that are the star.

I would have preferred Hollywood avoid a documentary about a man who wanted to remain private, J.D. Sallinger who wrote Catch in the Rye.  Sallinger feels too much like I am infringing on someone with whom I respect, No thank you!

September 13th 

The first Insidous was well done, and chilling, did there need a to be an Insidious Chapter 2?  Stop while your ahead.

Poor Michelle Pfeiffer stuck with dreck like this, run Diana Agron just because you get to work with two greats does not mean the film will will be good.  The Family is Robert DeNiro playing the cliche version of all his characters, once again no thank you.

September 20th 

 Prisoners has received mostly positive reviews from Telluride, and while there was some negative comments in the mix the film sounds fantastic. 

Ah another film about dancing, where have you been all my life? Battle of the Year is proof people are less and less creative, shouldn't this have gone straight to DVD or Itunes?

September 27th 

I did not realize that the first film made 125 million dollars, no wonder there is sequel to Cloudy with a Chance of Meatballs.  Cloudy with a Chance of Meatballs 2 is the only family friendly film and will make a good amount of money, will it be good, probably not.

I have shown disdain for most of Ron Howard's work post Apollo 13, Rush looks different from most of his other films, and I am kind of excited to see what he can do with this film.  I also think Hemsworth is so charismatic.

I love Paula Patton, and while Baggage Claim looks cliche, I may just have to go see it, because well this could be a guilty pleasure for me, at least I am able to admit that, but it doesn't look great.

I had the chance to see a screener of Don Jon with Jospeh Gordon Levitt as a a guest speaker, but damn work got in the way.  I am excited to see what he can do with this film!