Showing posts with label American Horror Story. Show all posts
Showing posts with label American Horror Story. Show all posts

Tuesday, October 22, 2013

'I Have the Power?':Older Women Playing "Villains" in Film and Telvision

Once you pass the age of 55 do women automatically become evil manipulative people.  Hollywood seems to paint that picture.  I was watching Hannah and Her Sister (1986) from writer, director Woody Allen, and realized roles like this for women at any age just do not exist on this level anymore.  My only argument is that the Woodman himself has continued to create unique and interesting women, see this years Blue Jasmine.

Back to Hannah and Her Sisters, why single out this film?  Hannah centered around three sisters and the men in their lives, the three sisters were played by Mia Farrow, Dianne Wiest, and Barbara Hershey.  Each sister is unique, has their own essence, and does not ever become one note, shrill, or resort to negative stereotypes.

Woody returns to this sister story in Blue Jasmine with both Cate Blanchett and Sally Hawkins the two characters are layered, while a bit crazier than Hannah, and her two sisters, the dynamic in both films is brilliantly formulated, and Mr. Allen knows how to weave a beautifully written story for a woman.

Moving on from Woody Allen, and these two great films I thought about Barbara Hershey's career trajectory as she has aged.  In recent years she seems to have been pigeon holed into "crazy mom" archetype, which started with Black Swan (2010).  Hershey was great in the film.  The next stop for this "crazy mom" role was as Cora, Regina's mother on the television series Once Upon a Time.  While these are just two recent roles for the actress, and not the only character she has played, this made me think about other women around her age and the "evil" characters they were playing.

Jessica Lange is another actress who will/has fallen victim to this villainy trope.  Lange has created such beautifully layered characters in each season or newly themed part of American Horror Story.  Ryan Murphy who has created the series has given the women some great material.  The shows second season Asylum showed her as Sister Jude, but she has not gotten as much attention for that cycle as she did in the first.  Will Lange be lost in the villain roles of her career?  Quite possibly.

Glenn Close in Damages is a great example of a wonderfully layered "villain" much like the ones Lange has played, the writing in Once Upon a Time prevented this from happening with Hershey.  Patty Hewes was on of the darkest female characters on television; she lied, cheated, and had people. Close plays this character brilliantly, and all of these women have this eternal strength and power, but this power often cuts off their humanity.

On the website "Bitch Flicks" (http://www.btchflcks.com) Amanda Rodriguez writes an article about Close from Damages and Madeline Stowe who plays Victoria Grayson on Revenge.  The article is is entitled "The Ruthless Power of Patty Hewes from 'Damages' and Victoria Grayson from "Revenge.'  The article focuses on the power these two women have, but also surmises that this power given and created by them which they own comes with a price, their humanity.  Rodriguez states "Unfortunately, there is such a profound darkness and emptiness in both Patty and Victoria as well as in their lives. They have cut themselves off from human connection and have lost the ability to love the simpler things in life."  

Does this "power" and "authority" have to come from corruption, and manipulation?  Most of these roles seem to draw the conclusion that once you achieve the power you lose all sense of self, and you can't be a sympathetic women in power.  Rodriguez concludes "The implication is that the kind of power these women seek is outside the feminine realm, and to grasp it, they must reject their very nature, which leaves them a hollow shell of a person. It’s all too rare that we see a subtle, powerful woman who commands respect who hasn’t sacrificed her humanness in the bargain."  Rodriguez says at the end these are fun characters to watch, but there needs to be more balanced female roles, in both film and television. 

Let's go back to the beginning, was Hannah and Her Sisters a fluke?  Why don't more films talk about women in a more well rounded nature?  When older women are looking for roles all they seem to find these days are the Patty Hewes, the Victoria Grayson, who manipulate and lose their humanity in order to control the world around them.  Women go to the movies, they watch television, and the message they are told today is in order to gain any form of elite power you must check your humanity at the door. I too would like to see more balanced female roles, but for now Jessica Lange, Kathy Bates, Angella Bassett are on my television in the same television series nonetheless, and they would not be if these darker roles did not exist. Is that a win, lose or draw?

Thursday, March 21, 2013

Performer to Watch: Kate Mara

After highlighting the great performance of Corey Stoll in the Netflix original series House of Cards, I do not know how I forgot to write about Kate Mara as well!  While Kevin Spacey and Robin Wright are the veterans in the series these upstart performances almost outshine them, Spacey's performance is hard to outshine.  Let's talk about Ms. Mara, and give her, her due.

Kate Mara has had a long career of memorable guest roles in television series; she has had one shot roles in series like Everwood, Law & Order: Special Victim's Unit, Cold Case, and many more.  Mara has also had some lengthy story arcs in series like Nip/Tuck, Jack & Bobby, and 24.  Kate Mara's first and most memorable performance for me was in the first season of the "mini-series" American Horror Story.  Mara's performance in Horror Story as a student spurned is brilliant yet psychotic; she captures all the layers of a complicated role.  The performance in Horror Story was the perfect lead in to her portrayal as Zoe Barnes in House of Cards; she is manipulative, yet naive, strong yet vulnerable.  Mara is one of the perfect foils to Kevin Spacey's Frank Underwood.

Mara has turned in one of the most memorable performances in television this year, and I am intrigued to see where House of Cards falls with the Emmy's because she deserves a Supporting Actress nomination.  All these factors, and small film roles in 127 Hours should catapult her into some great film roles in the future.  Look for her to be in an independent theatre near you soon!

Monday, December 10, 2012

AFI Names Top Ten in Movies and Television for 2012

The American Film Institute (AFI) named their top ten in both film and television today, for the year 2012.  The AFI process have a "unique jury process in which scholars, film and television artists, critics and AFI Trustees determine the most outstanding achievements of the year, as well as provide a detailed rationale for each selection."  

The film list does not always indicate the Best Picture nominees, last year's list included Bridesmaids, and there have been many films included on this list, which did not make the cut, come oscar time.  the only major snub is The Master, but the inclusion of the Dark Knight Rises makes sense as it's the only blockbuster on the list.

Some may be wondering where films like Skyfall may be, but since Skyfall is seen as British film it is not in consideration, and my guess is the reason Les Mis made the list was because of Universal's production, otherwise the rest of these films are as American as apple pie.

Film
Argo
Beasts of the Souther Wild
The Dark Knight Rises
Django Unchained
Les Miserables
Life of Pi
Lincoln
Moonrise Kingdom
Silver Linings Playbook
Zero Dark Thirty


On the television side, the only surprise for me is the exclusion of Veep and Parks and Recreation.  Veep should have made the cut!  Overall a solid list.

Television
American Horror Story
Breaking Bad
Game Change
Game of Thrones
Girls
Homeland
Louie
Mad Men
Modern Family
The Walking Dead

Sunday, October 28, 2012

Trapped on Duty Night Four: American Horror Story Asylum

With the hurricane fast approaching my fourth day on duty was action packed, somewhat.  I woke up late in the day mainly because I received one phone call at 3:30 am and one at 6:20 am, so my day started at noon.  I got to go to the gym for the first time in days, did laundry, watched lots of movies, and finished my last television show from this past week American Horror Story: Asylum.

Asylum is a new story, from creator Ryan Murphy and Brad Falchuk who created the original "miniseries" last year around Halloween.  This miniseries uses some of the shows favorite actors in new roles, Jessica Lange returns in a central role as a nun working at the asylum.  Other actors who have returned to the fold of the Murphy/Falchuk world are Zachary Quinto, Sarah Paulson, Evan Peters, and a few more.  While the first miniseries was a true ghost story this second coming looks at the concept of the world of Asylums in the 60s.

During this time in American history the asylum was not just a place for the truly mentally ill, but it was also a place for nymphomaniacs, homosexuals, and those the world deemed as outcasts.  At this time religion had even more power over people, and many asylums were run by priests, and nuns.  This asylum mixes the religion with science.  The priest behind the scenes is played by Joseph Fiennes, and the scientist behind the experiments is played by James Cromwell.  The show was the perfect spooky treat to lead up to Halloween this Wednesday, but the most interesting thing in the show for me is the concept of science versus religion.

While the show is still in its early phase of examining both religion and science there is a lot that Murphy and Falchuk can do with this show, while making things go bump in the night.  This week focused on a young boy who speaks in tongues and eats the hearts of animals.  Zachary Quinto's character believes the boy needs medicine while Lange's nun feels as though an exorcism is needed.  In this world of the supernatural science and religion seem to challenge each other on a daily basis.  While in the current world in our country people tend to lean to one or the other.  Our bi polarization does not allow people to believe in both.  While I am close to defining myself as an atheist, I think for those who are religious there can be a connection between both.  I am excited to see the way this show explores the dark territories with both.

Monday, September 17, 2012

Emmy Week 2012: The Mini-Series/Movie

Throughout the years the Mini-Series and Movie categories have had their peaks a valleys at the Emmy Awards.  Over the years all of the actors who were a part of either a mini-series or movie competed against one another in the acting categories at this award show.  From 1973 until May 2010 the Mini-Series and Movie category were separate awards.  From June 2010 through the present day with fewer Mini-Series and Movies being made, the nominees have been merged into one category.

Throughout the years there have been numerous landmark mini-series and made for television movies that have had an impact on television audiences.  On the mini-series side we have had Upstairs, Downstairs (1976), Roots (1977), Prime Suspect (numerous years), From the Earth to the Moon (1998), Band of Brothers (2001), Angels in America (2003), John Addams (2007), and this years Outstanding Drama Contender Downton Abbey (2011).  In the made for television movie category there was And the Band Played On (1994), Miss Ever's Boys (1997), Wit (2001), Recount (2008), and Grey Gardens (2009).

Looking at this list there a wide variety of films/mini-series that have had an impact on audiences, but throughout the most recent years as HBO and PBS dominate these categories the Academy of Television Arts and Sciences have noticed a diminishing number of made for television movies and mini-series, namely because of their waning popularity.

Last year's winner Downton Abbey beat out the most nominated program, and heavy favorite Mildred Pierce. After Downton's win the show started to get more notice from American audiences creating great word of mouth making this show a pop culture phenomena.  Downton Abbey is part of an uptick that happens every so often in this category.  Other mini-series like Band of Brothers and Roots have propelled cultural interest from television audiences proving there is value in this aspect of television, and that there has been a change in the way this category looks, and the type of shows that qualify for this award, even though they seem to constantly bend the rules.

This year the nominees for Outstanding Mini-Series/Made for Television Movie are:

American Horror Story
Game Change
Hatfields & McCoys
Hemingway and Gellhorn
Luther
Sherlock Holmes: A Scandal in Belgravia

Shows like American Horror Story, Luther, and Sherlock Holmes break the mold of this category.  The typical mini-series has fewer episodes is finite and does not tell a continuing story, Luther and Sherlock both break this pattern.  Prime Suspect was the original BBC drama shown on PBS to break the mold with this style.  American Horror Story fits the loose definition but Ryan Murphy is the similar pattern to create another season, namely because of the shows popularity.  These three are superlative works, and they each do this category a fine service, proving that this category can evolve the way television has evolved.

The more interesting thing about this category is that most prognosticators are not predicting one of these rebels to stir up trouble and win the Emmy, although many American Horror Story as a second or third pick.  Many award show gurus are playing it safe and predicting the political drama Game Change, about the failed campaign of John McCain, and running mate Sarah Palin.  I am going to go out on a limb and say that the even more traditional Hattfields and McCoys is going to win.  The Emmy Awards typically have a few rebels and help change up the nominees, but the winners usually stay pretty consistent.  Older voters are not going to go more leather bound ghost in American Horror Story, the prize for that is Lange's win.  Game Change will be honored with acting wins for Moore, and Harris, while I think Costner will surprise in the lead actor category.  I think Hatfields surprises everyone.

Beyond my predictions above this proves two things, one through nominations, and one through winners.  Like within most award shows people are willing to give the outsider a shot with a nomination, from Community getting a writing nomination to obscure acting nominations like Joanne Frogatt in the drama category.  Academy voters picked the the best mini-series/movie nominees.  My prediction is that voters will not prove evolutionary with their winner.

I am proud ATAS nominated these six shows, and this is proff they do pay attention to the outsiders, and the variety of programming on television.  I can't say I will convinced this voting has changed, much like with a Presidential election, until the results are revealed this Sunday night.

Friday, July 13, 2012

Dream Emmy Nominees in Other Categories (Mini-Series/Movie, Reality Television, Animated Programming, and Technical Categories)


The Emmy Awards are not just about Comedy and Drama, but they also have many other categories , which contribute to the fabric of primetime television.  Here are some of my dream nominees for variety programming, reality series, animated series, and the mini-series/movie category.  Six days until the nominations are announced!






                                                                                    Outstanding Reality Competition Series
RuPaul's Drag Race-A reality show so different, yet the same as many others that keeps you excited about the action week after week.  RuPaul has made Logo something to be proud of (a rare occasion).  This reality competition program continued to be on fire this season, and glitter bombs the competition into dust.  




Outstanding Reality Host
Cat Deely-So You Think You Can Dance-Deely makes hosting so effortless, and fun, as it should be; she is one of the more natural hosts working today and I appreciate her most.I am not a huge fan of this reality show (mainly because i have an ex that is associated with the show at one point) but Deely makes the reality show fresh with her natural hosting abilities.




Outstanding Variety Series
Late Night with Jimmy Fallon-One of my least favorite SNL cast members who could never keep a straight face for the camera has turned out to be one of the strongest late night hosts.  Fallon is terrific, and he has found his grove in comedy so much so that even when he hosted SNL this year he was actually one of the best hosts of the season.  Most of this can be attributed to his maturity, thanks to great work on this show.




Outstanding Mini-Series/Movie
Sherlock Holmes: Scandal in Belgravia-Although I kind of wish this went into the drama series category like Downton Abbey, I think this is one of the mini-series I have ever watched.  Mark Gattis, and Stevem Moffat constructed the most beautifully brilliant writing combined with great performances.  Choosing this specific "movie"within the second series was brilliant.  Sherlock Holmes versus Irene Adler, the henchwoman of Moriarty.  This was one of the best constructed episodes which explores more emotional levels of Holmes, brilliant!

Outstanding Lead Actor in a Mini-Series/Movie
Benedict Cumberbatch-Sherlock Holmes: Scandal in Belgravia-One of the best performances I have seen this year.  Holmes is usually cold, full of procedure, and unwilling to open up.  In Belgravia Holmes meets Irene Adler, and this opens up the emotionally raw side of him, letting one of the most touching yet heart wrenching performances commence.  Cumberbatch is brilliant as the typical Sherlock, but also shows more depth.


Outstanding Lead Actress in a Mini-Series/Movie
Julianne Moore-Game Change-When Tina Fey did her impression, audiences laughed.  When Julianne Moore stepped into these shoes for this film everyone was floored in a different way.  Moore played this polarizing role with passion, without mimicry, and that makes me feel for Palin at times, while walking away from the film hating her.  What a performance!


Outstanding Supporting Actor in a Mini-Series/Movie
Ed Harris-Game Change-What's a nomination for Sarah Palin's portrayer without the man who was actually poised for the White House.  Harris gave a strong performance that was not even close to mimicry; he was strong stoic, and did the repeat loser for the bid for the highest office justice.


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Outstanding Supporting Actress in a Mini-Series/Movie
Frances Conroy-American Horror Story-Lange was the stand out, but Conroy was may be another over looked scene stealer in this category merely because she does not have a big name.  One of my favorite parts of this show was Conroy, I hope she can steal a nomination.

Outstanding Main Title Design
American Horror Story-I recently sited this as one of the best main title designs of all time, hence why it should be nominated and win the Emmy for this category this year.  The design is spooky, and brilliantly ties in the plot of the series.




Outstanding Animated Series
Archer-This is not the traditional animated series, but it's currently the most original on the air, and deserves to win over the tired Simpson's and South Park.  My hope is that the show gets its due and get nominated.






Outstanding Original Song-Lazy Sunday Part 2 performed by Chris Parnell and Andy Samberg-Saturday Night Live-The perfect sequel to part one, and one of the best ways for Samberg and his creative team behind his digital shorts to leave SNL.  The digital shorts made SNL relevant again, and Samberg, the mastermind behind these, had a brilliant sequel.  The first Lazy Sunday short was the first of its kind, and it made me smile to see a sequel.


Monday, May 21, 2012

Best Title Sequences (TV Drama)

Last watching watching two shows made me think about just how brilliant and key a good title sequence can be to a television show, from the music to the imagery title sequences add something to the television show experience.  Last night watching Game of Thrones title sequence had me excited for what was to come.  The show's title sequence "changes" every week, the changes show you new places, or just places where the show is going to take place in tonight's episode, brilliant!  Then there is Mad Men's falling executive, and the brilliant score.  Together these are two of the most recent title sequences to grace television, and they are also two of the best of all time.

Most of the shows on my list are more recent television series.  Television dramas have evolved throughout the years, they are smarter, and sometimes (most recently) better than the films being released.  As the quality of television drama has evolved so has the title sequence for shows. The oldest show on my list is The X-Files, and the most recent is American Horror Story from 2012.  These title sequences feel a part of the show, the build up the intensity or are not to be missed.  These title sequences have become sleeker, prettier, and made the viewer remember just score without lyrics (for the most part) this is a rare challenge.  Here is a list of the best title sequences (in alphabetical order).

American Horror Story 

Damages


Dexter 

Game of Thrones

Mad Men

Six Feet Under 

The Sopranos 

True Blood 

The X-Files

The Wire